Posts Tagged ‘text’

 — The 16th Japan Media Arts Festival: call for entries

Application deadline: September 20, 2012
Announcement of award-winning works: Mid-December, 2012
Awards ceremony: Tuesday, February 12, 2013
Exhibition of award-winning works: February 13–February 24, 2013 (Closed Feb 19)

The National Art Center, Tokyo
7-22-2 Roppongi
Minato-ku, Tokyo
106-8558 Japan
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Von: International Teletext Art Festival <>

Datum: 13. August 2012 13:49:09 MESZ

Betreff: International Teletext Art Festival in ARD Text starts

More info on the artists and works:

More info on the exhibition:

The ARD-Text:

Frieze is now producing films to accompany the publication of each issue of the magazine. They can be viewed online at

— The 2012 Creative Time Summit: Confronting Inequity

October 12–13, 2012

Skirball Center for the Performing Arts
New York University
566 LaGuardia Place
New York, NY 10012

Expected presenters include:
Martha Rosler (Keynote), Slavoj Žižek (Keynote), BijaRi, Jeff Chang, Carolyn Christov-Bakargiev, Conflict Kitchen, Malkia Cyril, Rebel Diaz, Jodie Evans and Suzanne Lacy, Fernando García-Dory, Pablo Helguera, Invisible Borders, Steve Lambert, L.A.P.D. (Los Angeles Poverty Department), Josh MacPhee, Leonidas Martin, Mosireen, Joia Mukherjee, Oda Projesi, Otolith Group, Taring Padi, Laura Poitras, Michael Rakowitz, Škart, Hito Steyerl, Tidal Journal, and more.

— Podcast: Michael Baldwin and Mel Ramsden talk about Art & Language


Kontraste 2012 – Electric Shadows presents cutting-edge live performances, installations, films, lectures and sound walks in Krems/Austria from Oct 12 – 14. The festival is conceived as a ‘leap into the void’, a voyage through the electromagnetic spectrum, with audiovisual experiments that manipulate analogue and digital signals to amplify our senses, investigate the dark, and explore cosmological unknowns.

The complete programme is now online at

Furtherfield – A living, breathing, thriving network – for art, technology and social change since 1997

Also – Furtherfield Gallery&  Social Space:

About Furtherfield:

Netbehaviour – Networked Artists List Community.

 Leonardo / The first article Just Accepted is:

“Open Source Architecture: an Exploration of Source Code and Access in

Architectural Design” by Theodora Vardouli and Leah Buechley

— Podcast: Deutsche Kassettentäter. The rise of the German home-recording tape scene, parts #1 and #2. Curated by Felix Kubin

Part #1: Mix Link:


Related info/playlist:

Translated lyrics:

Part #2: Interviews with Alfred Hilsberg (ZickZack Records) and Frank Apunkt Schneider



Related info/playlist:

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Intimate Politics: An Interview with Andreas Broeckmann.

By Lawrence Bird.


— The MINI Museum of XXI Century Arts is proud to announce the launch of the second site-specific project designed for its low cost, itinerant architecture: Here (2011), by the London-based artists duo Thomson & Craighead ( More infos:

— …ment is an online journal for contemporary culture, art and politics published in irregular intervals. Through a multi-disciplinary set of editorial forms, the journal aims to reflect on current societal issues and debates.

himalayas art museum, shanghai,

Digimag 62 – March 2011



Eredeti és másolat/The Original and the Copy | Erdély Miklós, 2011. március 22.- 2011. április 22. | |1053 Budapest, V., Magyar u. 26.

Ritual Memories STYX Projects Berlin

Indigórajzok | Erdély Miklós|2011. március 22. – 2011. április 15.|Budapest, V. Képíró utca 5. Kisterem

videoart from croatia, és

— Egyszerű többség – Művészeti együttműködések bemutatása | 1000%, Asztaltársaság, Besorolás Alatt, Csoport , D1618 , Kitchen Budapest, LaciésBalázs , Plágium 2000, SZ.A.F., Szentirmai Tamás + Vági János + Szakács István, Szövetség , Tehnica Schweiz és Katarina Sevic, The Corporation, The Randomroutines, Újirány C 2011. március 25.- 2011. április 23. web |

Reconsidering the Historiography of the Historical Avant-Garde(s): April 8, 2011 The PhD Program in Art History at the CUNY Graduate Center, New York

Petrányi Zsolt: KKK – Kézikönyv kezdő kurátoroknak

Pablo Helguera: Stílus a kortárs művészetben (Elmegyakorlat 07, Műcsarnok könyvek, 2011)


— “Mobile learning: Crossing boundaries in convergent environments” Conference Monday to Tuesday, March 21st to 22nd, 2011 in Bremen, Germany

The ‘Mobile learning: Crossing boundaries in convergent environments’ Conference builds on a series of mobile learning research symposia hosted by the WLE Centre for Excellence at the Institute of Education, University of London between 2007 and 2009. It will focus on the challenges of developing new pedagogic approaches and on the potential of mobile devices for learning in formal and informal contexts. As mobile learning is not only about learning with mobile technologies, but also considered to be “new” learning, the conference will look at challenges for research and practice in understanding the changing social and technological structures allowing the use of technology for learning that are present in our personal lives, in school and in work places. Thus mobile learning crosses the boundary of institutional learning and looks at practical fields like work-based learning and medicine, too. Also, the conference will look at the latest developments in hardware and software which can support personalised learning. By focusing on theory and practice, development and use, teaching and learning, formal and informal contexts, the conference intends to offer spaces for researchers, practitioners, developers, the industry and policy makers to exchange ideas, experiences and research around issues and approaches to mobile learning, including sociological and educational issues and their effectiveness and desirability as learning spaces as well as the design of environments.

Schoolboy Daze. Nightingale’s Playground

Edward Picot reviews Andy Campbell’s four-part digital mystery-story, “Nightingale’s Playground”, which appeared online last year. “Campbell has always been at pains not to place his text in front of his images, or beneath them or to one side, like labels on tanks at the zoo or explanatory plaques next to pictures in a gallery; instead he puts his words inside his graphical environments, sometimes hidden or partially-hidden inside them, so that we have to explore to read. It pulls us in, and it makes his work inherently immersive and interactive… His central characters are often living in a reality with two layers: the “ordinary” everyday world which is mean, dull, shoddy and constricting, but relatively safe; and an inner or underlying reality which can only be glimpsed rather than viewed as a whole, possibly because it is so dangerous and frightening – a reality which emerges fitfully via dreams, games, imaginings and doodles.” This article is co-published by The Hyperliterature Exchange ( and

e-flux journal Issue no. 23 Inspired by Tomas Saraceno’s installation Galaxies Forming along Filaments, Like Droplets along the Strands of a Spider’s Web (2008), Bruno Latour looks at the topology of the sphere as an alternative to that of the network. Whereas networks are able to articulate cursory and diffuse forms of connectivity in the midst of an infinite expanse, the sphere can be seen as pointing the advantages of networks to another technology by which local, fragile, and complex “atmospheric conditions” can gain a formof resilience by way of a container within a broader network. How can we then apply the same logic to a means of “recomposing” disciplinary divides in a way that sustains a common vocabulary, yet overcomes established hierarchies? (see full essay here) In her response to Paul Chan and Sven Lütticken’s last issue of e-flux journal, Idiot Wind, Lívia Páldi reports on the situation in Hungary, where the incumbent Fidesz Party government has, together with the right-wing press, organized a smear campaign against a group of prominent philosophers. Seen as part of a broader push to withdraw support for public education and the arts, such moves presumably clear the way for the advancement of, in the words of Prime Minister Viktor Orbán, a “fine, noble, and refined elite.” (see full essay here)

STORIES WITHOUT BOUNDARIES BUT FULL OF LIES In conversation with Les Liens Invisibles és


—  “FluxRadio”, a podcast curated by Joe Gilmore and Rhiannon Silver




“FluxRadio” explores some of the concepts and ideas behind the music and performance pratice of Fluxus. Featuring sound pieces by George Maciunas, La Monte Young, Joseph Beuys, Nam June Paik, George Brecht, Yoko Ono and others, the programme charts the emergence of Fluxus through 60s avant-garde New York, examining the relationship to John Cage, Zen Buddhism and European avant-garde music.

Anxieties of Social Networking: An interview with Liz Filardi. By Taina Bucher.

Liz Filardi is a New York City-based performance artist who often works in public space. She was recently awarded a Turbulence ( Commission for a networked performance piece called I’m Not Stalking You; I’m Socializing, exploring the anxieties of social networking in three modules. “Status Grabber,” the first module, is a satirical online service that extends the status update phenomenon to participation over the telephone. “Black & White,” the second module, is a Facebook-like website, consisting of two interlinked profiles, that tells the story behind one of the original cases of criminal stalking in America. “Facetbook,” the final module, is a performance piece in which the artist compiles a series of archives of her live Facebook profile to illustrate the tension of online identity– between the facade of a profile and the more telling story of how the profile changes over time. The interview was conducted by Taina Bucher, PhD fellow in the Department of Media and Communication at the University of Oslo, Norway. Bucher and Filardi met in Greenwich Village, New York City in May, 2010.

— kép: Sam Taylor-Wood, “Escape Artist (Green and Red),” 2010.

Light jet digital c-type on Fuji Crystal archive paper, 56.5 x 82 cm. Edition of 175. Counter Editions publishes new Sam Taylor-Wood edition


— Link:, MP3: Ariella Azoulay, a senior lecturer in the Hermeneutics and Cultural Studies program at Bar-Ilian university in Israel, is also the author of numerous publications, including “Death’s Showcase: The Power of Image in Contemporary Democracy” and “Once Upon A Time: Photography Following  Walter Benjamin”. Her work examines the relationships between photography, citizenship, power and civil responsibility within disaster contexts. Son(i)a talks to Ariella Azoulay about these issues and their links to the recent revolution in Egypt. More at:

— REFF book Virtual Entity will be displayed for the first time as an installation at Furtherfield Gallery in London. Virtual Entity Tryptic featuring Virtual Entity Alpha: – – url support – – mac install – – web application – – realtime fluxus visualisation Fur

therfield Gallery (formerly HTTP) Unit A2 Arena Design Centre, 71, Ashfield Road, London N4 1NY Private View from 6.30 Friday 25th February  – 26th March 2011 The Net will never be the same!

— Lynn Hershman Leeson’s seminal documentary !WOMEN ART REVOLUTION

A Secret History to screen at The Museum of Modern Art Thursday, March 3, 6:30 p.m. Introduction by Gloria Steinem The Museum of Modern Art

!Women Art Revolution (!W.A.R.) charts the evolution of the Feminist Art Movement in America from the 1960s to the present, illuminating how this multi-faceted and under-explored movement—which some claim to be the most significant one of the late 20th century—radically transformed the art and culture of our times. Armed with a borrowed camera, Hershman Leeson began interviewing fellow artists in her living room, in Berkeley, California, as early as 1966. Through conversations, art, and rarely-seen archival footage, visionary artists, curators and critics present an int

imate portrayal of their fight to break down the barriers facing women both in the art world and society at large. The countless groundbreaking figures starring in it include Marcia Tucker, Nancy Spero, Silvia Sleigh, Carolee Schneemann, Miriam Schapiro, B. Ruby Rich, Yvonne Rainer, Yoko Ono, Miranda July, The Guerrilla Girls, Judy Chicago and many others. !W.A.R. has the rare honor to screen at Berlin, Sundance and Toronto Festivals. It will have its theatrical premiere at New York City’s IFC Center on June 3, 2011. !W.A.R. is a Zeitgeist Films Release. For more information: For future screenings:

— Nicola Costantino 5 March–15 May 2011 Hubertus Exhibitions Zurich Nicola Costantino, “Soccer Ball,”1999. Daros Latinamerica Collection, Zürich.

Photo by Peter Schälchli, Zürich. Images can be downloaded from our new website.

Journal for Artistic Research (JAR) by the Society for Artistic Research The Journal for Artistic Research (JAR) is a new international, online, Open Access and peer-reviewed journal for the identification, publication and dissemination of artistic research and its methodologies. With the aim of displaying and documenting practice in a manner that respects the artist’s modes of presentation, JAR abandons the traditional journal article format and offers its contributors a dynamic online canvas where text can be woven together with image, audio and video material. The result is a journal which provides a unique ‘reading’ experience while fulfilling the expectations of scholarly dissemination.

PUBLIC launches new archive, website, and issue

PUBLIC launches an archive of its 20+ years of publication. Issues long out of print (Utopia; Touch; Cities/Scenes; Eating Things) are finally available, as are those published as recently as 2009. Included are articles by Alain Badiou, Jean Baudrillard, Simon Critchley, Vilem Flusser, Vera Frenkel, Bettina Funcke, Elizabeth Grosz, Kaja Silverman, Bernard Stiegler, Allen S. Weiss, and many others. All issues will be made available in the archive two years after publication. Free and open to all.

—  “THE MALADY OF WRITING. Modernism You Can Dance To”, a podcast by Kenneth Goldsmith Link: Related info: MP3: Transcript:

— New addition to the “Demonic Disturbances” series 2007-2011

— Turbulence Commission: “This and that thought.” by BFFA3AE


— új bejegyzések a fenesztrán:


Der Traum vom Fliegen – The Art of Flying

4 March–8 May 2011 Haus der Kulturen der Welt, Berlin

kép: Der Traum vom Fliegen – The Art of Flying. © Stefan Hartmaier/Gustav Mesmer Stiftung.


nma napidíj másodszor:

NMA Díjkiosztó gála, Farkas Roland, Horváth Tibor, Mécs Miklós, Radics Márk, 2011. február 21. 20:00, demo galéria, Akácfa u 51.

Afterall Issue 26 Spring 2011

— The pervert’s guide to cinema Part1. 50′  (2006, Sophie Fiennes-Slavoj Zizek)
THE PERVERT’S GUIDE TO CINEMA offers an introduction into some of Zizek’s most exciting ideas on fantasy, reality, sexuality, subjectivity, desire, materiality and cinematic form. Whether he is untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock, Zizek illuminates the screen with his passion, intellect, and unfailing sense of humour.

— The Thursday Club on February 24th in collaboration with ISEA2011 Istanbul and with the Leonardo Electronic Almanac invites you to a conversation on contemporary digital identities.

Christiane Paul (Curator) (, Frieder Nake (artist) in conversation with Lanfranco Aceti, conference Chair, ISEA Istanbul 2011. The event will be followed by a one day conference, Digital Portraits of Transculturalism – London, at the Centre for Creative Collaboration, University of London

Art is Open Source (AOS) & Monica Biagioli on Resonance FM, Feb 16th 2011. Italian artist duo Art is Open Source (AOS) discuss their latest project, REFF (RomaEuropaFakeFactory). REFF presents itself as a fake institution, designing crafted applications and invasive practices – it is a book, an urban performance, a world-wide networked distribution and publishing tool. Consisting of 60 authors, artists, designers, architects, hackers, journalists and activists.

Alongside the augmented world of REFF, Furtherfield is hosting an exhibition at their gallery/lab/event space by Art is Open Source (AOS), including works by Garrett Lynch, Rebar Group and Eleonora Oreggia aka XNAME, all featured in the REFF publication. The exhibition will be accompanied by a series of live performances, events and urban interventions across London and around the world.


Complete article:

Digimag 60 – January 2011

Jacques Rancière: A felszabadult néző, elmegyakorlat – Műcsarnok-könyvek 08, 2011, Budapest



— A Taylor and Francis kiadó ingyenesen elérhetővé teszi a hónap végéig vizuális művészeti folyóiratainak teljes gyűjteményét:


— The 8. Furla Prize 2011

Pleure qui peut, rit qui veut

Shortlist exhibition

29 January – 6 February 2011, Bologna,

Christian Boltanski for 8.Premio Furla 2011.

La Générale


Class Wargames and Tine Bech Interviewed on Resonance FM by Furtherfield 2010

Dr. Richard Barbrook & Fabian Tompsett. Interview by Marc Garrett,

Dr. Richard Barbrook & Fabian Tompsett talk about their collaborative group Class Wargames & their current project ‘The Game of War’. Guy Debord, strategist of the Situationist International, developed the game while in exile after the May ’68 Revolution, and came to regard it as his most important project. For Debord, The Game of War wasn’t just a game. The Game of War is a Clausewitz simulator: a Napoleonic-era military strategy game where armies must maintain their communications structure to survive – and where victory is achieved by smashing your opponent’s supply network rather than by taking their pieces.

Irini & Jonathan interview Tine Bech.

Tine Bech, a visual artist and researcher who works with interactive installations and public art. She was born in Denmark and now lives and works in London. Her practice is concerned with how we engage with our immediate environment. Projects have centred on the use of interactive electronics and location tracking technology, urban spaces and environmental elements such as gravity, water, sound and light to develop spaces where participations, play, and experiences of immersion take place.

cura.magazine, roma,

Dan Perjovschi, Hong Kong First, 29 January – 17 April 2011

Para/Site Art Space, G/F, 4 Po Yan Street, Sheung Wan, Hong Kong,

— View from Edward Krasinski – Eustachy Kossakowski’s J’AI PERDU LA FIN!!! at BROADWAY 1602, New York.

Edward Krasinski – Eustachy Kossakowski “J’ai Perdu La Fin !!!” at 1602 BROADWAY, New York

A rhapsody in blue (Edward Krasiński) or b&w (Eustachy Kossakowski): Media Farzin on the aura of documentation vs the real thing at Broadway 1602.

read here

— e-flux is pleased to announce the release of Boris Groys’ Going Public, the third in an ongoing series of books published by e-flux journal with Sternberg Press.

Jeppe Hein, January 28 – March 5, 2011, 303 Gallery, New York,

Top Art Blog 2010 Awards, Arts Media Contacts,

— Nemzeti Művészetért Alapítvány /NMA/ 2010. December 14-én megalapította az NMA NAPIDÍJAT.

Az alapítók szándékai szerint díjazott lehet minden olyan magyar állampolgár, aki a kortárs kultúrának tevőleges részeként él és alkot.

Ezen kitétel valódiságának vizsgálatát az NMA átruházza magára a díjazottra. Ugyanis az NMA NAPIDÍJ önkéntes.

A DÍJra nincs központi nominálás. AZ NMA NAPIDÍJ közkincs.

— Zsűrimentes kiállítások az újpesti Ady Endre Művelődési Ház és Munkástovábbképző Központ Mini Galériájában
(Budapest IV. ker. Árpád út 37.), 1980-1982-ben –
galériavezető Swierkiewicz Róbert –
2011. január 27, Liget Galéria

— Harry Stendhal Presents: ‘Mapping Maciunas’ and ‘Exercise’, Stendhal Gallery

“Stendhal Gallery is pleased to announce the opening of two exhibitions, ‘Mapping Maciunas’ and ‘Exercise’ on February 3, 2011. Both exhibitions examine the work of Fluxus artist, George Maciunas, who blended his education in architecture, graphic design and musicology to produce new ways of thinking about the state of contemporary society.

Throughout his life, Maciunas prided himself in the creation of ‘learning machines,’ charts and diagrams to find precedents, clarify and advance the experimental art of his time. ‘Mapping Maciunas,’ exhibits various charts and diagrams relating not only to Fluxus and the avant-garde but to history and arts education.

The documentation of Fluxus personalities and events lead to the creation of Maciunas’ ‘Diagram of Historical Development of FluxusŠ’ (1973), arguably a masterwork, which posits Fluxus in a continuum of radical art history brought center stage by Dada, Marcel Duchamp and John Cage.

Setting his sights on more practical matters, Maciunas undertook a 1968-1969 grant supported by the Carnegie Corporation of New York to improve arts education in the United States. His research for ‘Proposals for Art Education,’ resulted in a series of charts and diagrams including ‘Contemporary Man’ and a ‘Curriculum Plan’ for both art majors and non-major programs.

Just as Maciunas’s charts connect strains in historical movements rather then simply depicting history as a precession of events, ‘Exercise’ takes an approach to understanding Fluxus, finding the forebears of Fluxus attitude not simply in Dada or other avant-garde movements in relation to which Fluxus is often contextualized, whether it be pre-Socratic philosopher and believer in ‘universal flux’ Heraclitus, or fourteenth century philosopher and originator of the Ockham’s Razor principle William of Ockham, ‘Exercise’ alleges that the Fluxus attitude long predates Fluxus, George Maciunas, or Duchamp.

On display in ‘Exercise,’ is an installation inspired by Maciunas’s charts tracing the Fluxus attitude. Alongside this installation are Fluxus artworks by George Brecht, La Monte Young, Chieko Shiomi, Yoko Ono, Ken Friedman, Hans Richter, Giussepe Chiari, Nam Jun Paik, Robert Filliou and other artists who embody this attitude by using the concision of a haiku or a punch line to rupture our epistemological categories and encourage us to create our own. Juxtaposed with these works are artworks by David Bernstein, John Robert Moore, Nicole Demby, Narumi Iyama and Harry Stendhal, conceptual exercises that use Fluxus an a template for making one’s own templates.” (via stendhal)


XXI. századi kihívások: pályázati anyagok a Műcsarnok igazgatói állására

Animate Projects develops, commissions and produces artists’ work exploring animation and its concepts for an international audience via broadcast, gallery, cinema and online. Animate Projects is based in London, UK and supported by the National Lottery through Arts Council England.

Yishu: Journal of Contemporary Chinese Art is pleased to announce the launch of Since 2002, Yishu has published more than 500 artist features, interviews, panel discussions, and exhibition reviews, and all are now available on-line. The Web site features efficient access to all texts through a search function with an extensive choice of keywords.

n.paradoxa (Vol 27) Women’s Work Jan 2011, international feminist art journal,  KT press, benne: Andrea Liss (US) ‘Memory Work, Trauma and the Maternal: videos by Maya Zack (Israel) and Kristine Diekman (US)’ A close reading of two quite different videos about mother’s work

bidoun,, art and culture from the middle east

artforum online at, itt: Hal Foster and Robert Pincus-Witten offer two separate reads of figuration and fascism in the Guggenheim Museum’s “Chaos and Classicism: Art in France, Italy, and Germany, 1918–1936.”

Vivian Maier (1926-2009)

TATE ETC. Issue 21 Visiting and Revisiting Art, etcetera

“My ideal would really be just to pick up a handful of paint and throw it at the canvas and hope that the portrait was there.” Francis Bacon, p65

MyWar: Participation in an Age of Conflict,, Queen’s University, Kingston, MyWar investigates identity, participation and the reality of conflict in a digitally networked world. Artists: Renzo Martens, S.W.A.M.P, Thomson & Craighead, Dunne & Raby, Milica Tomic, Sarah Vanagt, Oliver Laric, Joseph DeLappe, Harun Farocki. Catalogue:

RUMOURS FROM THE EASTERN UNDERGROUND, Felix Kubin leads us on a tour of underground sound production in Eastern Europe. Link: MP3 file: Related info:

e-flux journal, Issue no. 22 — “Idiot Wind: On the Rise of Right-Wing Populism in the US and Europe, and What It Means for Contemporary Art”

Guest-edited by Paul Chan and Sven Lütticken January/February 2011 Available online:

“When Paul Chan and Sven Lütticken proposed to gather a series of “reports” on the (mostly) recent rise of right-wing, populist movements for e-flux journal, it was immediately apparent that the urgency and complexity of the topic required its own special issue. As protests erupt throughout Europe in opposition to austerity measures being pushed through by right-wing governments and EU fiscal bodies, we are also now witnessing a phenomenon spreading throughout the Northern Hemisphere in which some of the most brazen hardline racist rhetoric emerges not only from politicians, but from the general populace as well. What is going on? It is our pleasure to present Chan and Lütticken’s “Idiot Wind” as the January/February 2011 issue of e-flux journal.” —Julieta Aranda, Brian Kuan Wood, Anton Vidokle

wenders, pina bausch


— An interview with Michel Bauwens founder of Foundation for P2P Alternatives.

Lawrence Bird interviews Michel Bauwens, one of the foremost thinkers on the peer-to-peer phenomenon. Belgian-born and currently resident in Chiang-Mai, Thailand, he is founder of the Foundation for P2P (Peer-to-Peer) Alternatives, and works in collaboration with a global group of researchers in the exploration of peer production, governance, and property.

— Interview with Kenneth Goldsmith, founder and main editor of Ubuweb, the Internet’s largest archive of artistic avant-garde material.



Poet, university professor and amateur archivist, Kenneth Goldsmith is the founder and main editor of Ubuweb, the Internet’s largest archive of artistic avant-garde material. An underground project that has no institutional backing or budget of any kind, Ubuweb is an influential repository that is as exhaustive as it is personal, reflecting the preferences, quirks and obsessions of its creator.


Herczeg Klára-díjazottak kiállítása | Horváth Tibor, Medve András

megnyitó |2010. december 10. 19:00 Labor, a díjról: wiki

Evaldas Jansas


— Bibliotheca Philosophica Hermetica (Ritman Library), Amsterdam

interface journal: Interface: a journal for and about social movements

— Jeppe Hein: 1x Museum, 10x Rooms, 11x Works, Jeppe Hein, 22 October 2010 – 6 February 2011, State Museum for Art and Design in Nuremberg, jeppe hein 

so, without further ado – here it comes, 2 new chunks of UBERMORGEN.COM work..CLICKISTAN, CLICKISTAN by the artist team UBERMORGEN.COM (lizvlx and Hans Bernhard) is a work of game art and an homage to the net art of the mid-90s: it invents its own territory—ruled by the click—and celebrates the pixel in imaginative variations.

plus: Centre Georges Pompidou “RE:MADE” Black n White