Posts Tagged ‘kiállítás’

 — The 16th Japan Media Arts Festival: call for entries

Application deadline: September 20, 2012
Announcement of award-winning works: Mid-December, 2012
Awards ceremony: Tuesday, February 12, 2013
Exhibition of award-winning works: February 13–February 24, 2013 (Closed Feb 19)

The National Art Center, Tokyo
7-22-2 Roppongi
Minato-ku, Tokyo
106-8558 Japan

www.j-mediaarts.jp
Facebook / Twitter

Von: International Teletext Art Festival <itaf@fixc.fi>

Datum: 13. August 2012 13:49:09 MESZ

Betreff: International Teletext Art Festival in ARD Text starts

More info on the artists and works: www.fixc.fi/itaf

More info on the exhibition: www.pflueger68.de/itaf.html

The ARD-Text: www.ard-text.de

Frieze is now producing films to accompany the publication of each issue of the magazine. They can be viewed online at  video.frieze.com.

— The 2012 Creative Time Summit: Confronting Inequity

October 12–13, 2012

Skirball Center for the Performing Arts
New York University
566 LaGuardia Place
New York, NY 10012

www.creativetime.org/summit

Expected presenters include:
Martha Rosler (Keynote), Slavoj Žižek (Keynote), BijaRi, Jeff Chang, Carolyn Christov-Bakargiev, Conflict Kitchen, Malkia Cyril, Rebel Diaz, Jodie Evans and Suzanne Lacy, Fernando García-Dory, Pablo Helguera, Invisible Borders, Steve Lambert, L.A.P.D. (Los Angeles Poverty Department), Josh MacPhee, Leonidas Martin, Mosireen, Joia Mukherjee, Oda Projesi, Otolith Group, Taring Padi, Laura Poitras, Michael Rakowitz, Škart, Hito Steyerl, Tidal Journal, and more.

http://de.wikipedia.org/wiki/Barcamp

— Podcast: Michael Baldwin and Mel Ramsden talk about Art & Language

http://bit.ly/MzXEDw

KONTRASTE 2012 – ELECTRIC SHADOWS

Kontraste 2012 – Electric Shadows presents cutting-edge live performances, installations, films, lectures and sound walks in Krems/Austria from Oct 12 – 14. The festival is conceived as a ‘leap into the void’, a voyage through the electromagnetic spectrum, with audiovisual experiments that manipulate analogue and digital signals to amplify our senses, investigate the dark, and explore cosmological unknowns.

The complete programme is now online at www.kontraste.at

Furtherfield – A living, breathing, thriving network

http://www.furtherfield.org – for art, technology and social change since 1997

Also – Furtherfield Gallery&  Social Space: http://www.furtherfield.org/gallery

About Furtherfield: http://www.furtherfield.org/content/about

Netbehaviour – Networked Artists List Community.

http://www.netbehaviour.org

http://identi.ca/furtherfield

http://twitter.com/furtherfield

 Leonardo / The first article Just Accepted is:

“Open Source Architecture: an Exploration of Source Code and Access in

Architectural Design” by Theodora Vardouli and Leah Buechley

http://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_00470

— Podcast: Deutsche Kassettentäter. The rise of the German home-recording tape scene, parts #1 and #2. Curated by Felix Kubin

Part #1: Mix Link: http://bit.ly/n3aN7s

MP3: http://bit.ly/gpqhyK

Related info/playlist: http://bit.ly/R8aoEm

Translated lyrics: http://bit.ly/MVOSev

Part #2: Interviews with Alfred Hilsberg (ZickZack Records) and Frank Apunkt Schneider

Link: http://bit.ly/oRtfAZ

MP3: http://bit.ly/rkVaAy

Related info/playlist: http://bit.ly/pQUAET

Follow us at http://twitter.com/Radio_Web_MACBA

Intimate Politics: An Interview with Andreas Broeckmann.

By Lawrence Bird. http://www.furtherfield.org/features/interviews/intimate-politics-interview-andreas-broeckmann

Reklámok

2011/3/28

— The MINI Museum of XXI Century Arts is proud to announce the launch of the second site-specific project designed for its low cost, itinerant architecture: Here (2011), by the London-based artists duo Thomson & Craighead (http://thomson-craighead.net/). More infos: http://blog.theminimuseum.org/

— …ment is an online journal for contemporary culture, art and politics published in irregular intervals. Through a multi-disciplinary set of editorial forms, the journal aims to reflect on current societal issues and debates. www.journalment.org

himalayas art museum, shanghai, http://www.himalayasart.cn/En/

Digimag 62 – March 2011 http://www.digicult.it/digimag_eng/

“WHERE DO YOU STAND, COLLEAGUE?” www.textezurkunst.de

TEXTE ZUR KUNST March 2011 / Issue No. 81, benne LUC BOLTANSKI: ART WITHOUT CRITIQUE?

Eredeti és másolat/The Original and the Copy | Erdély Miklós, 2011. március 22.- 2011. április 22. | http://www.vintage.hu |1053 Budapest, V., Magyar u. 26.

Ritual Memories STYX Projects Berlin www.styx-projects.com

Indigórajzok | Erdély Miklós|2011. március 22. – 2011. április 15.|Budapest, V. Képíró utca 5. Kisterem

videoart from croatia, http://videochannel.newmediafest.org/2010/croatia-feature.html és http://www.msu.hr/#/en/13340/

— Egyszerű többség – Művészeti együttműködések bemutatása | 1000%, Asztaltársaság, Besorolás Alatt, Csoport , D1618 , Kitchen Budapest, LaciésBalázs , Plágium 2000, SZ.A.F., Szentirmai Tamás + Vági János + Szakács István, Szövetség , Tehnica Schweiz és Katarina Sevic, The Corporation, The Randomroutines, Újirány C 2011. március 25.- 2011. április 23. web | http://www.mucsarnok.hu/new_site/index.php?lang=hu&t=569&curmenu=201&kovetkezo_collapse=0

Reconsidering the Historiography of the Historical Avant-Garde(s): April 8, 2011 The PhD Program in Art History at the CUNY Graduate Center, New York http://www.reconsideringhistoriography.org/

Petrányi Zsolt: KKK – Kézikönyv kezdő kurátoroknak

Pablo Helguera: Stílus a kortárs művészetben (Elmegyakorlat 07, Műcsarnok könyvek, 2011)

2011/2/21

Der Traum vom Fliegen – The Art of Flying

4 March–8 May 2011 Haus der Kulturen der Welt, Berlin www.hkw.de

kép: Der Traum vom Fliegen – The Art of Flying. © Stefan Hartmaier/Gustav Mesmer Stiftung.

 

nma napidíj másodszor: http://www.nmalapitvany.tk/nmanapidij/

NMA Díjkiosztó gála, Farkas Roland, Horváth Tibor, Mécs Miklós, Radics Márk, 2011. február 21. 20:00, demo galéria, Akácfa u 51.

Afterall Issue 26 Spring 2011 www.afterall.org

— The pervert’s guide to cinema Part1. 50′  (2006, Sophie Fiennes-Slavoj Zizek)
THE PERVERT’S GUIDE TO CINEMA offers an introduction into some of Zizek’s most exciting ideas on fantasy, reality, sexuality, subjectivity, desire, materiality and cinematic form. Whether he is untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock, Zizek illuminates the screen with his passion, intellect, and unfailing sense of humour. http://www.thepervertsguide.com/

— The Thursday Club on February 24th in collaboration with ISEA2011 Istanbul and with the Leonardo Electronic Almanac invites you to a conversation on contemporary digital identities.

Christiane Paul (Curator) (http://www.intelligentagent.com, Frieder Nake (artist) in conversation with Lanfranco Aceti, conference Chair, ISEA Istanbul 2011. The event will be followed by a one day conference, Digital Portraits of Transculturalism – London, at the Centre for Creative Collaboration, University of London http://www.creativecollaboration.org.uk.

Art is Open Source (AOS) & Monica Biagioli on Resonance FM, Feb 16th 2011. http://www.furtherfield.org/radio/16022011-art-open-source-aos-monica-biagioli Italian artist duo Art is Open Source (AOS) discuss their latest project, REFF (RomaEuropaFakeFactory). REFF presents itself as a fake institution, designing crafted applications and invasive practices – it is a book, an urban performance, a world-wide networked distribution and publishing tool. Consisting of 60 authors, artists, designers, architects, hackers, journalists and activists.

Alongside the augmented world of REFF, Furtherfield is hosting an exhibition at their gallery/lab/event space by Art is Open Source (AOS), including works by Garrett Lynch, Rebar Group and Eleonora Oreggia aka XNAME, all featured in the REFF publication. The exhibition will be accompanied by a series of live performances, events and urban interventions across London and around the world. http://www.furtherfield.org/exhibitions/reff-remix-world-reinvent-reality

NECESSITY OR TABOO HOW TO EVALUATE ART & SCIENCE PROJECTS? Txt: Silvia Casini

Complete article: http://www.digicult.it/digimag/article.asp?id=1953

Digimag 60 – January 2011 http://www.digicult.it/digimag_eng/

Jacques Rancière: A felszabadult néző, elmegyakorlat – Műcsarnok-könyvek 08, 2011, Budapest

— A DAAZO.COM A BERLINALE ÉS A CLERMONT-FERRAND-I FILMFESZTIVÁL MAGYAR

LEGJOBBJAIVAL BŐVÍTI RÖVIDFILMES ARCHÍVUMÁT

— A Taylor and Francis kiadó ingyenesen elérhetővé teszi a hónap végéig vizuális művészeti folyóiratainak teljes gyűjteményét: http://bit.ly/artaccess

 

— The 8. Furla Prize 2011

Pleure qui peut, rit qui veut

Shortlist exhibition

29 January – 6 February 2011, Bologna, www.fondazionefurla.org

Christian Boltanski for 8.Premio Furla 2011.

La Générale http://lageneralenordest.over-blog.fr/

click http://www.billionsareclicking.com/

Class Wargames and Tine Bech Interviewed on Resonance FM by Furtherfield 2010 http://www.furtherfield.org/radio/24112010-class-wargames-and-tine-bech

Dr. Richard Barbrook & Fabian Tompsett. Interview by Marc Garrett,

Dr. Richard Barbrook & Fabian Tompsett talk about their collaborative group Class Wargames & their current project ‘The Game of War’. Guy Debord, strategist of the Situationist International, developed the game while in exile after the May ’68 Revolution, and came to regard it as his most important project. For Debord, The Game of War wasn’t just a game. The Game of War is a Clausewitz simulator: a Napoleonic-era military strategy game where armies must maintain their communications structure to survive – and where victory is achieved by smashing your opponent’s supply network rather than by taking their pieces. www.classwargames.net

Irini & Jonathan interview Tine Bech.

Tine Bech, a visual artist and researcher who works with interactive installations and public art. She was born in Denmark and now lives and works in London. Her practice is concerned with how we engage with our immediate environment. Projects have centred on the use of interactive electronics and location tracking technology, urban spaces and environmental elements such as gravity, water, sound and light to develop spaces where participations, play, and experiences of immersion take place. www.tinebech.com

cura.magazine, roma,  www.curamagazine.com

Dan Perjovschi, Hong Kong First, 29 January – 17 April 2011

Para/Site Art Space, G/F, 4 Po Yan Street, Sheung Wan, Hong Kong, www.para-site.org.hk

— View from Edward Krasinski – Eustachy Kossakowski’s J’AI PERDU LA FIN!!! at BROADWAY 1602, New York.

Edward Krasinski – Eustachy Kossakowski “J’ai Perdu La Fin !!!” at 1602 BROADWAY, New York

A rhapsody in blue (Edward Krasiński) or b&w (Eustachy Kossakowski): Media Farzin on the aura of documentation vs the real thing at Broadway 1602.

read here

— e-flux is pleased to announce the release of Boris Groys’ Going Public, the third in an ongoing series of books published by e-flux journal with Sternberg Press.

Jeppe Hein, January 28 – March 5, 2011, 303 Gallery, New York, www.303gallery.com

Top Art Blog 2010 Awards, Arts Media Contacts, www.artsmediacontacts.co.uk

— Nemzeti Művészetért Alapítvány /NMA/ 2010. December 14-én megalapította az NMA NAPIDÍJAT.

Az alapítók szándékai szerint díjazott lehet minden olyan magyar állampolgár, aki a kortárs kultúrának tevőleges részeként él és alkot.

Ezen kitétel valódiságának vizsgálatát az NMA átruházza magára a díjazottra. Ugyanis az NMA NAPIDÍJ önkéntes.

A DÍJra nincs központi nominálás. AZ NMA NAPIDÍJ közkincs. http://nmalapitvany.tk/nmanapidij

— Zsűrimentes kiállítások az újpesti Ady Endre Művelődési Ház és Munkástovábbképző Központ Mini Galériájában
(Budapest IV. ker. Árpád út 37.), 1980-1982-ben –
galériavezető Swierkiewicz Róbert –
http://www.ligetgaleria.c3.hu/mini.html
2011. január 27, Liget Galéria

http://www.youtube.com/watch?feature=player_embedded&v=EFBnYyI4KVc#

— Harry Stendhal Presents: ‘Mapping Maciunas’ and ‘Exercise’, Stendhal Gallery stendhalgallery.com

“Stendhal Gallery is pleased to announce the opening of two exhibitions, ‘Mapping Maciunas’ and ‘Exercise’ on February 3, 2011. Both exhibitions examine the work of Fluxus artist, George Maciunas, who blended his education in architecture, graphic design and musicology to produce new ways of thinking about the state of contemporary society.

Throughout his life, Maciunas prided himself in the creation of ‘learning machines,’ charts and diagrams to find precedents, clarify and advance the experimental art of his time. ‘Mapping Maciunas,’ exhibits various charts and diagrams relating not only to Fluxus and the avant-garde but to history and arts education.

The documentation of Fluxus personalities and events lead to the creation of Maciunas’ ‘Diagram of Historical Development of FluxusŠ’ (1973), arguably a masterwork, which posits Fluxus in a continuum of radical art history brought center stage by Dada, Marcel Duchamp and John Cage.

Setting his sights on more practical matters, Maciunas undertook a 1968-1969 grant supported by the Carnegie Corporation of New York to improve arts education in the United States. His research for ‘Proposals for Art Education,’ resulted in a series of charts and diagrams including ‘Contemporary Man’ and a ‘Curriculum Plan’ for both art majors and non-major programs.

Just as Maciunas’s charts connect strains in historical movements rather then simply depicting history as a precession of events, ‘Exercise’ takes an approach to understanding Fluxus, finding the forebears of Fluxus attitude not simply in Dada or other avant-garde movements in relation to which Fluxus is often contextualized, whether it be pre-Socratic philosopher and believer in ‘universal flux’ Heraclitus, or fourteenth century philosopher and originator of the Ockham’s Razor principle William of Ockham, ‘Exercise’ alleges that the Fluxus attitude long predates Fluxus, George Maciunas, or Duchamp.

On display in ‘Exercise,’ is an installation inspired by Maciunas’s charts tracing the Fluxus attitude. Alongside this installation are Fluxus artworks by George Brecht, La Monte Young, Chieko Shiomi, Yoko Ono, Ken Friedman, Hans Richter, Giussepe Chiari, Nam Jun Paik, Robert Filliou and other artists who embody this attitude by using the concision of a haiku or a punch line to rupture our epistemological categories and encourage us to create our own. Juxtaposed with these works are artworks by David Bernstein, John Robert Moore, Nicole Demby, Narumi Iyama and Harry Stendhal, conceptual exercises that use Fluxus an a template for making one’s own templates.” (via stendhal)

Vivian Maier (1926-2009) http://vivianmaier.blogspot.com/

TATE ETC. Issue 21 Visiting and Revisiting Art, etcetera www.tate.org.uk/tateetc

“My ideal would really be just to pick up a handful of paint and throw it at the canvas and hope that the portrait was there.” Francis Bacon, p65

MyWar: Participation in an Age of Conflict, http://www.aeac.ca/exhibitions/upcoming/mywar.html, Queen’s University, Kingston, MyWar investigates identity, participation and the reality of conflict in a digitally networked world. Artists: Renzo Martens, S.W.A.M.P, Thomson & Craighead, Dunne & Raby, Milica Tomic, Sarah Vanagt, Oliver Laric, Joseph DeLappe, Harun Farocki. Catalogue: http://www.artbooksheidelberg.de/html/detail/en/mywar-978-3-86828-134-7.html

RUMOURS FROM THE EASTERN UNDERGROUND, Felix Kubin leads us on a tour of underground sound production in Eastern Europe. Link: http://bit.ly/hcQo5Q MP3 file: http://bit.ly/b89uKZ Related info: http://bit.ly/dzDQ2f

e-flux journal, Issue no. 22 — “Idiot Wind: On the Rise of Right-Wing Populism in the US and Europe, and What It Means for Contemporary Art”

Guest-edited by Paul Chan and Sven Lütticken January/February 2011 Available online: e-flux.com/journal

“When Paul Chan and Sven Lütticken proposed to gather a series of “reports” on the (mostly) recent rise of right-wing, populist movements for e-flux journal, it was immediately apparent that the urgency and complexity of the topic required its own special issue. As protests erupt throughout Europe in opposition to austerity measures being pushed through by right-wing governments and EU fiscal bodies, we are also now witnessing a phenomenon spreading throughout the Northern Hemisphere in which some of the most brazen hardline racist rhetoric emerges not only from politicians, but from the general populace as well. What is going on? It is our pleasure to present Chan and Lütticken’s “Idiot Wind” as the January/February 2011 issue of e-flux journal.” —Julieta Aranda, Brian Kuan Wood, Anton Vidokle

http://www.youtube.com/watch?v=8dflLt1G_Tc&feature=player_embedded

wenders, pina bauschhttp://www.wim-wenders.com/http://www.pina-film.de/

2010/12/15

dear world, http://www.creativecommonscollages.org

mirror Wikileaks – Wikileaks

until dec 16 http://www.pixelache.ac/helsinki/2010/wikileaks-documentary-online-until-dec-16/

— Faculty of the College of Ontopoetic Machines http://ontopoeticmachines.org/

http://enigmail.mozdev.org/

POWER UP – Female Pop Art Evelyne Axell, Sister Corita, Christa Dichgans, Rosalyn Drexler, Jann Haworth, Dorothy Iannone, Kiki Kogelnik, Marisol, Niki de Saint Phalle 5 November 2010 – 20 February 2011 Kunsthalle Wien www.kunsthallewien.at

“Hello! hello? hello!? …” PROJECT WEBSITE @ http://www.realityisoutthere.net

— 2011 WRO Media Art Biennale Alternative Now see http://wro2011.wrocenter.pl

2010/12/8

Herczeg Klára-díjazottak kiállítása | Horváth Tibor, Medve András

megnyitó |2010. december 10. 19:00 Labor, a díjról: wiki

Evaldas Jansas http://jansas.estudija.lt

— http://artsagainstcuts.wordpress.com/

— Bibliotheca Philosophica Hermetica (Ritman Library), Amsterdam

http://heterodoxology.wordpress.com/2010/11/24/save-the-bibliotheca-philosophica-hermetica/

interface journal: http://www.interfacejournal.net Interface: a journal for and about social movements

— Jeppe Hein: 1x Museum, 10x Rooms, 11x Works, Jeppe Hein, 22 October 2010 – 6 February 2011, State Museum for Art and Design in Nuremberg www.nmn.de, jeppe hein 

so, without further ado – here it comes, 2 new chunks of UBERMORGEN.COM work..CLICKISTAN, CLICKISTAN by the artist team UBERMORGEN.COM (lizvlx and Hans Bernhard) is a work of game art and an homage to the net art of the mid-90s: it invents its own territory—ruled by the click—and celebrates the pixel in imaginative variations. http://www.whitney.org/clickistan/

plus: Centre Georges Pompidou “RE:MADE” Black n White http://www.ubermorgen.com/BlacknWhite

more:

http://dotoildot.com

http://tortureclassics.com

http://ubermorgen.com/DEEPHORIZON

http://www.asylabwehramt.at

http://woppow.net

http://ugi-heal.me

2010/11/20

— Asia Art Archive www.aaa.org.hk

— Interview with Johannes Grenzfurthner of monochrom Part 3.

Marc Da Costa interviews Johannes Grenzfurthner, founder of monochrom.

http://www.furtherfield.org/displayreview.php?review_id=414

www.chinese-arts-centre.org

http://www.wagner-k.de Matthias Wagner K’

Where do you stand, colleague? Art criticism and social critique www.textezurkunst.de, Symposium on the occasion of the 20th anniversary of Texte zur Kunst, Dec 11, 2010, Hebbel-Theater am Ufer (HAU 1), Stresemannstrasse 29, Berlin

Panel I: New Spirit of Criticism? The Biopolitical Turn in Perspective, Panel II: Between Specificity and Context. Social Art History Revisited, Panel III: From the Anti-Aesthetic to Aesthetic Experience?

Hiroh Kikai “Asakusai portréi” http://www.ligetgaleria.c3.hu/383.html

Cristina García Rodero. Transtempo, 18 Nov 2010 – 13 Febr 2011 Centro Galego de Arte Contemporánea, Santiago de Compostela, http://www.cgac.org/ (kép)

— Kelengye, elkendőzés, leleplezés, Baglyas Erika http://baglyaserika.blogspot.com/

— Mudam Luxembourg, www.mudam.lu,

Attila Csörgö. Archimedean Point http://www.c3.hu/~acsorgo/ 09/10/2010 - 23/01/2011

Daniel Buren. Architecture, Contre-Architecture: Transposition. Travail in situ 09/10/2010 - 22/05/2011 http://www.danielburen.com/

Nina Beier and Marie Lund. The Object Lessons 09/10/2010 - 30/01/2011 http://www.ninabeier.com/

Just Love me. Regard sur une collection privée 09/10/2010 - 30/01/2011

Illogical thoughts… Within the framework of “Diagonales : son, vibration et musique dans la collection du Centre national des arts plastiques” 09/10/2010 - 30/01/2011

Collection Mudam. Premier étage – Second degré 17/11/2010 – 10/04/2011

— kelengye, elkendőzés, leleplezés, Baglyas Erika http://baglyaserika.blogspot.com/

Ana Mendieta: Documentation and Artwork, 1972-1985, Galerie Lelong, October 28 – December 11, 2010 www.galerielelong.com

Ana Mendietáról: wiki

economies of the commons, http://www.ecommons.eu/

Joseph Beuys. Parallel Processes, 11 Sept 2010 – 16 Jan 2011 Kunstsammlung Nordrhein-Westfalen Düsseldorf, www.kunstsammlung.de

all we ever wanted was everything, Nov 5 – Dec 4, 2010, EFA Project Space, New York, NY www.efanyc.org/all-we-ever-wanted-was-everyth

XLterrestrial Newsletter: http://xlterrestrials.org/plog/

Living on the Edge: People, Place & Possibility, Tulca Festival of Visual Arts 2010 www.tulca.ie Galway Ireland 6th – 21st November 2010

— Franco Berardi Cognitarian Subjectivation, http://e-flux.com/journal/view/183

Micah White: Google is polluting the internet, http://www.guardian.co.uk/commentisfree/2010/oct/30/google-polluting-internet

ABOUT PUBLIC ACTIONS AND AESTHETIC JOURNEYS – PHOTOGRAPHY AND THE INTERNET A lecture series with contributions by Karin Bruns, Marc Ries, and Ruth Horak

http://cont3xt.net/blog/?p=4099

“The More I Look, The More I See” Nov 10 – Dec 10 2010 in Galženica Gallery (Velika Gorica/Zagreb), http://galzenica.posterous.com/

BACA Laureate 2010: Francis Alÿs, 7 November 2010 – 27 March 2011 Maastricht, www.bonnefanten.nl