Posts Tagged ‘díj’

— The 8. Furla Prize 2011

Pleure qui peut, rit qui veut

Shortlist exhibition

29 January – 6 February 2011, Bologna,

Christian Boltanski for 8.Premio Furla 2011.

La Générale


Class Wargames and Tine Bech Interviewed on Resonance FM by Furtherfield 2010

Dr. Richard Barbrook & Fabian Tompsett. Interview by Marc Garrett,

Dr. Richard Barbrook & Fabian Tompsett talk about their collaborative group Class Wargames & their current project ‘The Game of War’. Guy Debord, strategist of the Situationist International, developed the game while in exile after the May ’68 Revolution, and came to regard it as his most important project. For Debord, The Game of War wasn’t just a game. The Game of War is a Clausewitz simulator: a Napoleonic-era military strategy game where armies must maintain their communications structure to survive – and where victory is achieved by smashing your opponent’s supply network rather than by taking their pieces.

Irini & Jonathan interview Tine Bech.

Tine Bech, a visual artist and researcher who works with interactive installations and public art. She was born in Denmark and now lives and works in London. Her practice is concerned with how we engage with our immediate environment. Projects have centred on the use of interactive electronics and location tracking technology, urban spaces and environmental elements such as gravity, water, sound and light to develop spaces where participations, play, and experiences of immersion take place.

cura.magazine, roma,

Dan Perjovschi, Hong Kong First, 29 January – 17 April 2011

Para/Site Art Space, G/F, 4 Po Yan Street, Sheung Wan, Hong Kong,

— View from Edward Krasinski – Eustachy Kossakowski’s J’AI PERDU LA FIN!!! at BROADWAY 1602, New York.

Edward Krasinski – Eustachy Kossakowski “J’ai Perdu La Fin !!!” at 1602 BROADWAY, New York

A rhapsody in blue (Edward Krasiński) or b&w (Eustachy Kossakowski): Media Farzin on the aura of documentation vs the real thing at Broadway 1602.

read here

— e-flux is pleased to announce the release of Boris Groys’ Going Public, the third in an ongoing series of books published by e-flux journal with Sternberg Press.

Jeppe Hein, January 28 – March 5, 2011, 303 Gallery, New York,

Top Art Blog 2010 Awards, Arts Media Contacts,

— Nemzeti Művészetért Alapítvány /NMA/ 2010. December 14-én megalapította az NMA NAPIDÍJAT.

Az alapítók szándékai szerint díjazott lehet minden olyan magyar állampolgár, aki a kortárs kultúrának tevőleges részeként él és alkot.

Ezen kitétel valódiságának vizsgálatát az NMA átruházza magára a díjazottra. Ugyanis az NMA NAPIDÍJ önkéntes.

A DÍJra nincs központi nominálás. AZ NMA NAPIDÍJ közkincs.

— Zsűrimentes kiállítások az újpesti Ady Endre Művelődési Ház és Munkástovábbképző Központ Mini Galériájában
(Budapest IV. ker. Árpád út 37.), 1980-1982-ben –
galériavezető Swierkiewicz Róbert –
2011. január 27, Liget Galéria

— Harry Stendhal Presents: ‘Mapping Maciunas’ and ‘Exercise’, Stendhal Gallery

“Stendhal Gallery is pleased to announce the opening of two exhibitions, ‘Mapping Maciunas’ and ‘Exercise’ on February 3, 2011. Both exhibitions examine the work of Fluxus artist, George Maciunas, who blended his education in architecture, graphic design and musicology to produce new ways of thinking about the state of contemporary society.

Throughout his life, Maciunas prided himself in the creation of ‘learning machines,’ charts and diagrams to find precedents, clarify and advance the experimental art of his time. ‘Mapping Maciunas,’ exhibits various charts and diagrams relating not only to Fluxus and the avant-garde but to history and arts education.

The documentation of Fluxus personalities and events lead to the creation of Maciunas’ ‘Diagram of Historical Development of FluxusŠ’ (1973), arguably a masterwork, which posits Fluxus in a continuum of radical art history brought center stage by Dada, Marcel Duchamp and John Cage.

Setting his sights on more practical matters, Maciunas undertook a 1968-1969 grant supported by the Carnegie Corporation of New York to improve arts education in the United States. His research for ‘Proposals for Art Education,’ resulted in a series of charts and diagrams including ‘Contemporary Man’ and a ‘Curriculum Plan’ for both art majors and non-major programs.

Just as Maciunas’s charts connect strains in historical movements rather then simply depicting history as a precession of events, ‘Exercise’ takes an approach to understanding Fluxus, finding the forebears of Fluxus attitude not simply in Dada or other avant-garde movements in relation to which Fluxus is often contextualized, whether it be pre-Socratic philosopher and believer in ‘universal flux’ Heraclitus, or fourteenth century philosopher and originator of the Ockham’s Razor principle William of Ockham, ‘Exercise’ alleges that the Fluxus attitude long predates Fluxus, George Maciunas, or Duchamp.

On display in ‘Exercise,’ is an installation inspired by Maciunas’s charts tracing the Fluxus attitude. Alongside this installation are Fluxus artworks by George Brecht, La Monte Young, Chieko Shiomi, Yoko Ono, Ken Friedman, Hans Richter, Giussepe Chiari, Nam Jun Paik, Robert Filliou and other artists who embody this attitude by using the concision of a haiku or a punch line to rupture our epistemological categories and encourage us to create our own. Juxtaposed with these works are artworks by David Bernstein, John Robert Moore, Nicole Demby, Narumi Iyama and Harry Stendhal, conceptual exercises that use Fluxus an a template for making one’s own templates.” (via stendhal)


Herczeg Klára-díjazottak kiállítása | Horváth Tibor, Medve András

megnyitó |2010. december 10. 19:00 Labor, a díjról: wiki

Evaldas Jansas


— Bibliotheca Philosophica Hermetica (Ritman Library), Amsterdam

interface journal: Interface: a journal for and about social movements

— Jeppe Hein: 1x Museum, 10x Rooms, 11x Works, Jeppe Hein, 22 October 2010 – 6 February 2011, State Museum for Art and Design in Nuremberg, jeppe hein 

so, without further ado – here it comes, 2 new chunks of UBERMORGEN.COM work..CLICKISTAN, CLICKISTAN by the artist team UBERMORGEN.COM (lizvlx and Hans Bernhard) is a work of game art and an homage to the net art of the mid-90s: it invents its own territory—ruled by the click—and celebrates the pixel in imaginative variations.

plus: Centre Georges Pompidou “RE:MADE” Black n White


aviva http://star–

Deleuze, and (Which) Politics? Stevphen Shukaitis, From Culture Machine (

— Networks and Sociability in East European Art, SocialEast Seminar 2010 oct 23, 9-6 pm, Courtauld Institute of Art London,

Basquiat, 15 October 2010 – 30 January 2011 Musée d’Art moderne de la Ville de Paris

— Of Animals and Monsters, SICK 80s. The AIDS Crisis, Art and Counter-biopolitical Guerrilla, Museu d’Art Contemporani de Barcelona (MACBA) kép Fortune Clofullia, 1853. (Missouri History Museum)

RE:akt! Rotovž Exhibition Salon, Maribor Art Gallery Trg Leona Štuklja 2, Maribor, Slovenia 21 October – 19 November 2010 publ

No More Drama, Rőda Sten,, SEJLA KAMERIC October 9 – November 21, 2010 kép Glück © Sejla Kameric (2010)

wooloopick, vote!


Nam June Paik Award 2010 – shortlist

Daito Manabe, Tokyo, Japan

Ei Wada a.k.a. Crab Feet, Tokyo

Hajnal Németh, Berlin

Eike, Budapest

Chelpa Ferro group, Sao Paulo, Brazil

Ali Kazma, Istanbul, Turkey

Rosa Barba, Berlin and Amsterdam

Ignas Krunglevicius, Oslo, Norway




— La Hongrie et le Belgique, in: radio free ben, 2010 04 26 ben vautier, serpent, 1986 (22/50, silkscreen)


A Poincaré-sejtés a topológiának és a tárgyak olyan geometriai tulajdonságának központi kérdése, amelyek nem változnak nyújtás, zsugorítás, vagy torzulás hatására. Poincaré szerint a kétdimenziós tér egyenletei átalakíthatók a háromdimenziós térhez is.

Poincaré-sejtés, Grigorij Jakovlevics Perelman, nytimes