április, 2010 havi archívum
— Nam June Paik Award 2010 – shortlist
Daito Manabe, Tokyo, Japan http://www.daito.ws/
Ei Wada a.k.a. Crab Feet, Tokyo
Hajnal Németh, Berlin http://www.hajnalnemeth.com/
Eike, Budapest http://www.eike.hu/
Chelpa Ferro group, Sao Paulo, Brazil http://www.chelpaferro.com.br/
Ali Kazma, Istanbul, Turkey
Rosa Barba, Berlin and Amsterdam http://rosabarba.com/
Ignas Krunglevicius, Oslo, Norway http://www.krunglevicius.com/
— gólya – stork
— fecske – swallow
— szepmuveszeti http://kek-talalo.blogspot.com/2010/04/szep-mu.html
— http://www.artchivum.com/ART/www/content.aspx?contentid=1
— La Hongrie et le Belgique, in: radio free ben, 2010 04 26 http://www.ben-vautier.com/ ben vautier, serpent, 1986 (22/50, silkscreen)
— Seydou Keïta, Untitled (Man with Flower), 1959, Events of the Self: Portraiture and Social Identity, The Walther Collection, Neu-Ulm, http://www.walthercollection.com
‘The Walther Collection opens in June 2010 with “Events of the Self: Portraiture and Social Identity,” introducing works from its African collection. Under the curatorial direction of Okwui Enwezor the exhibition comprises a series of four projects filling all nine galleries in the three buildings of the new exhibition space in Burlafingen near Ulm, Southern Germany. It integrates the work of three generations of African artists and photographers with that of modern and contemporary German photography. This combination of African and German works will serve as a model for the kind of curatorial process that animates the character of the collecting program.’
— Szacsva and Pál talk about their work in Museumsquartier /Raum D/ on 28th of April, 6 pm. http://programm.mqw.at/programmdatenbank/index.php?von=2010-04-28
— Artreview april 2010 Jacques Rancière, the artworld’s favourite political philosopher, answers the question: can art ever really change the world? (74-77 p) http://www.artreviewdigital.com
— 11th Consciousness International Reframed Conference 2010 http://teks.no, Trondheim, 2010/10/7
— Matias Faldbakken, ‘Monolith’ (Golden Shower) 2007, in ‘You think you go but you gon’t.’ Objectif Exhibitions, Antwerp, http://www.objectif-exhibitions.org/
— http://www.vintageposters.hu
— Jacques Rancière előadása 2010. április 27., kedd 18 óra Műcsarnok kiállítótér, XI. terem (apszis)
Recenzió a megjelent kötetről: http://tranzit.blog.hu/2009/09/10/politika_es_esztetika_jacques_ranci_re_az_erzekelheto_felosztasa_cimu_konyverol
Magyar nyelven olvasható: Jacques Rancière: Az emancipált néző (Erhardt Miklós fordítása): http://exindex.hu/index.php?l=hu&page=3&id=687
— Megfigyelesi ugyek – az anBlokk kozeleti tudomanyos magazin, aprilis 29. csutortok 19.00 ora Labor 1053 Budapest, Kepiro u 6 http://labor.c3.hu/ http://www.tranzit.org/
— TNPU (szuperintendans: St.Auby Tamas): Letminimum St.andard Projekt 1984 W avagy Ez lett az egysejtubol :::: Parhuzamos kronologiak. A kiallitasok lathatatlan tortenete tanulmanyi kiallitas
**A tranzit. hu Muveszetelmeleti es gyakorlati szabadiskolaja / Badischer Kunstverein, Karlsruhe 2010. aprilis 24 – junius 20. www.badischer-kunstverein.de
— igNobel http://improbable.com/ig/
— http://forgacsoltkult.blog.hu/
— http://www.societerealiste.net/
— http://staalplaat.wordpress.com/
— http://www.editioncopenhagen.com/
— http://resonanzen-leipzig.de/
— bbs és coltempo a balkonban
— Kunstgeschichte – einst, heute und in Zukunft, 2010/4/20 (PIM) prof. dr. Heinrich Dilly, prof. dr. Ernő Marosi
— Hungry Man, Reach for the Book. It is a Weapon! Printed Matter (NY), WHW (Zágráb), 2010/4/10-2010/5/22, http://printedmatter.org/news/news.cfm?article_id=540
— http://www.gallerykressling.sk/, Pozsony/Bratislava
— Art on Wireless Networks http://year01.com/insitetoronto/
— OnCurating.org is an independent international Web-Journal focusing on questions around curatorial practice and theory http://www.on-curating.org/
— “New Life” walked the line between art and activism in a new way, updating tactics pioneered by Beuys, Gran Fury, and the Russian Constructivists: Times have changed, and the problems have only become more urgent.’ (Daniel Boese/Artforum) pdf, http://www.wooloo.org/blog
— Clement Greenberg: Avantgarde és giccs. in. Művészetszociológia. Válogatott tanulmányok. Közgazdasági és Jogi Könyvkiadó, Budapest, 1978, 93-103. pp.
— Barthes, Roland: “A szerző halála”. in uő.: A szöveg öröme. Budapest, Osiris, 1996, 50-55. Pp.
— Foucault, Michel: “Mi a szerző?” in uő.: Nyelv a végtelenhez. Debrecen, Latin Betűk, 1999.
— Hal Foster: The Artist as Ethnographer http://roundtable.kein.org/files/roundtable/Foster.pdf
–— Gőbölyös Luca: Férjhez akarok menni, 2010/4/8-2010/5/29, Knoll Galéria Budapest
http://www.knollgaleria.hu
— Artforum: “Concrete Poetry: The Art of Shannon Ebner.” és Marta Minujín, http://www.artforum.com
— http://www.bucharestbiennale.org, 2010/5/21-2010/7/25
— http://inexhibitionblog.blogspot.com/
— műcsarnok könyvtár http://mucsarnok.hunteka.ikron.hu/monguz/index.jsp
— Vintage, Hajas Tibor, Fotómunkák, 2010/4/7-2010/5/7, Vintage Galéria
— Boris Groys: The Weak Universalism, http://e-flux.com/journal/view/130, e-flux issue 15, 2010 apr
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