Posts Tagged ‘blog’

 — The 16th Japan Media Arts Festival: call for entries

Application deadline: September 20, 2012
Announcement of award-winning works: Mid-December, 2012
Awards ceremony: Tuesday, February 12, 2013
Exhibition of award-winning works: February 13–February 24, 2013 (Closed Feb 19)

The National Art Center, Tokyo
7-22-2 Roppongi
Minato-ku, Tokyo
106-8558 Japan
Facebook / Twitter

Von: International Teletext Art Festival <>

Datum: 13. August 2012 13:49:09 MESZ

Betreff: International Teletext Art Festival in ARD Text starts

More info on the artists and works:

More info on the exhibition:

The ARD-Text:

Frieze is now producing films to accompany the publication of each issue of the magazine. They can be viewed online at

— The 2012 Creative Time Summit: Confronting Inequity

October 12–13, 2012

Skirball Center for the Performing Arts
New York University
566 LaGuardia Place
New York, NY 10012

Expected presenters include:
Martha Rosler (Keynote), Slavoj Žižek (Keynote), BijaRi, Jeff Chang, Carolyn Christov-Bakargiev, Conflict Kitchen, Malkia Cyril, Rebel Diaz, Jodie Evans and Suzanne Lacy, Fernando García-Dory, Pablo Helguera, Invisible Borders, Steve Lambert, L.A.P.D. (Los Angeles Poverty Department), Josh MacPhee, Leonidas Martin, Mosireen, Joia Mukherjee, Oda Projesi, Otolith Group, Taring Padi, Laura Poitras, Michael Rakowitz, Škart, Hito Steyerl, Tidal Journal, and more.

— Podcast: Michael Baldwin and Mel Ramsden talk about Art & Language


Kontraste 2012 – Electric Shadows presents cutting-edge live performances, installations, films, lectures and sound walks in Krems/Austria from Oct 12 – 14. The festival is conceived as a ‘leap into the void’, a voyage through the electromagnetic spectrum, with audiovisual experiments that manipulate analogue and digital signals to amplify our senses, investigate the dark, and explore cosmological unknowns.

The complete programme is now online at

Furtherfield – A living, breathing, thriving network – for art, technology and social change since 1997

Also – Furtherfield Gallery&  Social Space:

About Furtherfield:

Netbehaviour – Networked Artists List Community.

 Leonardo / The first article Just Accepted is:

“Open Source Architecture: an Exploration of Source Code and Access in

Architectural Design” by Theodora Vardouli and Leah Buechley

— Podcast: Deutsche Kassettentäter. The rise of the German home-recording tape scene, parts #1 and #2. Curated by Felix Kubin

Part #1: Mix Link:


Related info/playlist:

Translated lyrics:

Part #2: Interviews with Alfred Hilsberg (ZickZack Records) and Frank Apunkt Schneider



Related info/playlist:

Follow us at

Intimate Politics: An Interview with Andreas Broeckmann.

By Lawrence Bird.


— The 8. Furla Prize 2011

Pleure qui peut, rit qui veut

Shortlist exhibition

29 January – 6 February 2011, Bologna,

Christian Boltanski for 8.Premio Furla 2011.

La Générale


Class Wargames and Tine Bech Interviewed on Resonance FM by Furtherfield 2010

Dr. Richard Barbrook & Fabian Tompsett. Interview by Marc Garrett,

Dr. Richard Barbrook & Fabian Tompsett talk about their collaborative group Class Wargames & their current project ‘The Game of War’. Guy Debord, strategist of the Situationist International, developed the game while in exile after the May ’68 Revolution, and came to regard it as his most important project. For Debord, The Game of War wasn’t just a game. The Game of War is a Clausewitz simulator: a Napoleonic-era military strategy game where armies must maintain their communications structure to survive – and where victory is achieved by smashing your opponent’s supply network rather than by taking their pieces.

Irini & Jonathan interview Tine Bech.

Tine Bech, a visual artist and researcher who works with interactive installations and public art. She was born in Denmark and now lives and works in London. Her practice is concerned with how we engage with our immediate environment. Projects have centred on the use of interactive electronics and location tracking technology, urban spaces and environmental elements such as gravity, water, sound and light to develop spaces where participations, play, and experiences of immersion take place.

cura.magazine, roma,

Dan Perjovschi, Hong Kong First, 29 January – 17 April 2011

Para/Site Art Space, G/F, 4 Po Yan Street, Sheung Wan, Hong Kong,

— View from Edward Krasinski – Eustachy Kossakowski’s J’AI PERDU LA FIN!!! at BROADWAY 1602, New York.

Edward Krasinski – Eustachy Kossakowski “J’ai Perdu La Fin !!!” at 1602 BROADWAY, New York

A rhapsody in blue (Edward Krasiński) or b&w (Eustachy Kossakowski): Media Farzin on the aura of documentation vs the real thing at Broadway 1602.

read here

— e-flux is pleased to announce the release of Boris Groys’ Going Public, the third in an ongoing series of books published by e-flux journal with Sternberg Press.

Jeppe Hein, January 28 – March 5, 2011, 303 Gallery, New York,

Top Art Blog 2010 Awards, Arts Media Contacts,

— Nemzeti Művészetért Alapítvány /NMA/ 2010. December 14-én megalapította az NMA NAPIDÍJAT.

Az alapítók szándékai szerint díjazott lehet minden olyan magyar állampolgár, aki a kortárs kultúrának tevőleges részeként él és alkot.

Ezen kitétel valódiságának vizsgálatát az NMA átruházza magára a díjazottra. Ugyanis az NMA NAPIDÍJ önkéntes.

A DÍJra nincs központi nominálás. AZ NMA NAPIDÍJ közkincs.

— Zsűrimentes kiállítások az újpesti Ady Endre Művelődési Ház és Munkástovábbképző Központ Mini Galériájában
(Budapest IV. ker. Árpád út 37.), 1980-1982-ben –
galériavezető Swierkiewicz Róbert –
2011. január 27, Liget Galéria

— Harry Stendhal Presents: ‘Mapping Maciunas’ and ‘Exercise’, Stendhal Gallery

“Stendhal Gallery is pleased to announce the opening of two exhibitions, ‘Mapping Maciunas’ and ‘Exercise’ on February 3, 2011. Both exhibitions examine the work of Fluxus artist, George Maciunas, who blended his education in architecture, graphic design and musicology to produce new ways of thinking about the state of contemporary society.

Throughout his life, Maciunas prided himself in the creation of ‘learning machines,’ charts and diagrams to find precedents, clarify and advance the experimental art of his time. ‘Mapping Maciunas,’ exhibits various charts and diagrams relating not only to Fluxus and the avant-garde but to history and arts education.

The documentation of Fluxus personalities and events lead to the creation of Maciunas’ ‘Diagram of Historical Development of FluxusŠ’ (1973), arguably a masterwork, which posits Fluxus in a continuum of radical art history brought center stage by Dada, Marcel Duchamp and John Cage.

Setting his sights on more practical matters, Maciunas undertook a 1968-1969 grant supported by the Carnegie Corporation of New York to improve arts education in the United States. His research for ‘Proposals for Art Education,’ resulted in a series of charts and diagrams including ‘Contemporary Man’ and a ‘Curriculum Plan’ for both art majors and non-major programs.

Just as Maciunas’s charts connect strains in historical movements rather then simply depicting history as a precession of events, ‘Exercise’ takes an approach to understanding Fluxus, finding the forebears of Fluxus attitude not simply in Dada or other avant-garde movements in relation to which Fluxus is often contextualized, whether it be pre-Socratic philosopher and believer in ‘universal flux’ Heraclitus, or fourteenth century philosopher and originator of the Ockham’s Razor principle William of Ockham, ‘Exercise’ alleges that the Fluxus attitude long predates Fluxus, George Maciunas, or Duchamp.

On display in ‘Exercise,’ is an installation inspired by Maciunas’s charts tracing the Fluxus attitude. Alongside this installation are Fluxus artworks by George Brecht, La Monte Young, Chieko Shiomi, Yoko Ono, Ken Friedman, Hans Richter, Giussepe Chiari, Nam Jun Paik, Robert Filliou and other artists who embody this attitude by using the concision of a haiku or a punch line to rupture our epistemological categories and encourage us to create our own. Juxtaposed with these works are artworks by David Bernstein, John Robert Moore, Nicole Demby, Narumi Iyama and Harry Stendhal, conceptual exercises that use Fluxus an a template for making one’s own templates.” (via stendhal)


— Asia Art Archive

— Interview with Johannes Grenzfurthner of monochrom Part 3.

Marc Da Costa interviews Johannes Grenzfurthner, founder of monochrom. Matthias Wagner K’

Where do you stand, colleague? Art criticism and social critique, Symposium on the occasion of the 20th anniversary of Texte zur Kunst, Dec 11, 2010, Hebbel-Theater am Ufer (HAU 1), Stresemannstrasse 29, Berlin

Panel I: New Spirit of Criticism? The Biopolitical Turn in Perspective, Panel II: Between Specificity and Context. Social Art History Revisited, Panel III: From the Anti-Aesthetic to Aesthetic Experience?

Hiroh Kikai “Asakusai portréi”

Cristina García Rodero. Transtempo, 18 Nov 2010 – 13 Febr 2011 Centro Galego de Arte Contemporánea, Santiago de Compostela, (kép)

— Kelengye, elkendőzés, leleplezés, Baglyas Erika

— Mudam Luxembourg,,

Attila Csörgö. Archimedean Point 09/10/2010 - 23/01/2011

Daniel Buren. Architecture, Contre-Architecture: Transposition. Travail in situ 09/10/2010 - 22/05/2011

Nina Beier and Marie Lund. The Object Lessons 09/10/2010 - 30/01/2011

Just Love me. Regard sur une collection privée 09/10/2010 - 30/01/2011

Illogical thoughts… Within the framework of “Diagonales : son, vibration et musique dans la collection du Centre national des arts plastiques” 09/10/2010 - 30/01/2011

Collection Mudam. Premier étage – Second degré 17/11/2010 – 10/04/2011

— kelengye, elkendőzés, leleplezés, Baglyas Erika

My City, Art and Public Space: May Symposium, 8th and 15th May 2010 Istanbul, Platform Garanti Contemporary Art Center and and

Csontó Lajos

Kasia Molga (London)

resonance fm

artforum, május 2010, benne “The Next Act: Issues in Contemporary Performance.”

Flash Art International No. 272 May-June Issue 2010

Galéria Kressling si Vás dovoľuje pozvať na výstavu Rudolf  Sikora – One more Otvorenie výstavy je v piatok 07.05.2010 o 18.00 v priestoroch Galérie Kressling

Fillip Issue 11 / Spring 2010 (Vancouver)

Mistaken Identity / Dan Graham, Innocence Project, Carol Irving, John Schabel, Karen Yama, The Yes Men,

Recycle The Future!, 5.5. – 30.5. 2010.

Fülep Lajos konferencia, MTA Társadalomkutató Központ, Jakobinus Terem (1014 Budapest, Országház u. 30.), 2010/5/7, 10.00-17.00  hozzá: Perneczky Géza: Kis magyar epilógus, művészet, ahogy Fülep Lajos és Kassák látta

Lighthouse, creative and professional development opportunities for filmmakers, sreenwriters, digital artists and animators

fluxus 2010 – International Film Festival on the Internet

Umelec Magazine



Nam June Paik Award 2010 – shortlist

Daito Manabe, Tokyo, Japan

Ei Wada a.k.a. Crab Feet, Tokyo

Hajnal Németh, Berlin

Eike, Budapest

Chelpa Ferro group, Sao Paulo, Brazil

Ali Kazma, Istanbul, Turkey

Rosa Barba, Berlin and Amsterdam

Ignas Krunglevicius, Oslo, Norway




— La Hongrie et le Belgique, in: radio free ben, 2010 04 26 ben vautier, serpent, 1986 (22/50, silkscreen)


— TNPU (szuperintendans: St.Auby Tamas): Letminimum St.andard Projekt 1984 W avagy  Ez lett az egysejtubol :::: Parhuzamos kronologiak. A kiallitasok lathatatlan tortenete tanulmanyi kiallitas

**A tranzit. hu Muveszetelmeleti es gyakorlati szabadiskolaja / Badischer Kunstverein, Karlsruhe 2010. aprilis 24 – junius 20.

— igNobel

— a cidade do homem nu blog

— Gőbölyös Luca: Férjhez akarok menni, 2010/4/8-2010/5/29, Knoll Galéria Budapest

— Artforum: “Concrete Poetry: The Art of Shannon Ebner.” és Marta Minujín,, 2010/5/21-2010/7/25

— műcsarnok könyvtár

— Vintage, Hajas Tibor, Fotómunkák, 2010/4/7-2010/5/7, Vintage Galéria

— Boris Groys: The Weak Universalism,, e-flux issue 15, 2010 apr

— Analysing the web, Blog mining. Scouring blogs for useful information, 2010 0311,

— Konyvter – Privat Konyvtar sorozat, Ambrus Maria, labor, tranzit, 2010/3/30

— Magyarország + Dánia (a végeredmény: n+1) a 30 éves Artpool független, alternatív, virtuális, non-stop 2010-es budapesti tavaszi fesztiválja március 25-től beláthatatlan ideig látogatható az interneten

— Sprovieri Gallery London, Ilya and Emilia Kabakov, The Flying Paintings, 2010/3/30-2010/5/29, LA, Paul Pescador: Thank You

— Viktor Freso: POP-MOP, SOGA, Bratislava, 2010/4/1-2010/4/22

— SuperCollider Symposium 2010 Berlin, September 23-26, 2010. < >

— Less is More Projects,

— common lands, allmannaretten, 2010/4/8-2010/4/30

— Pierre Huyghe La saison des fêtes, 2010, La estación de las fiestas /La saison des fêtes

17 March – 31 May 2010, Museo Nacional Centro de Arte Reina Sofía

— col tempo ( pandant

— Benedek Barna: Szinusz, Mono Galéria, 2010/3/19-2010/4/17,

— néma jelek – mute signs, Songül Boyraz (TR/A) Maria Papadimitriou / T.A.M.A (GR), Tamara Moyzes (CZ), Anna Molska & Wojtek Bąkowski (PL), Joanna Rajkowska (PL), Szolnoki József (D/H), Katarina  Šević (SRB/H), Zádor Tamás (H),, 2010/3/19-2010/4/16, mke barcsay, Fenntarthatóság és kortárs művészet: Művészet, posztfordizmus és ökokritika, ceu, 2010/3/19

— Halász András a Szent István Király Múzeumban, Székesfehérvár, 2010/3/20-2010/5/16, kép: HA: Pihenő fóliatekercs, 2009, Berlin, issue 77, 2010 march: “The Painting issue – Not”

— Anish Kapoor Guggenheim Bilbao, 2010/3/16-2010/10/12,

— HTML Color Codes. Reviewed by Susan Ballard.(blog)