Posts Tagged ‘fotó’

— The 8. Furla Prize 2011

Pleure qui peut, rit qui veut

Shortlist exhibition

29 January – 6 February 2011, Bologna,

Christian Boltanski for 8.Premio Furla 2011.

La Générale


Class Wargames and Tine Bech Interviewed on Resonance FM by Furtherfield 2010

Dr. Richard Barbrook & Fabian Tompsett. Interview by Marc Garrett,

Dr. Richard Barbrook & Fabian Tompsett talk about their collaborative group Class Wargames & their current project ‘The Game of War’. Guy Debord, strategist of the Situationist International, developed the game while in exile after the May ’68 Revolution, and came to regard it as his most important project. For Debord, The Game of War wasn’t just a game. The Game of War is a Clausewitz simulator: a Napoleonic-era military strategy game where armies must maintain their communications structure to survive – and where victory is achieved by smashing your opponent’s supply network rather than by taking their pieces.

Irini & Jonathan interview Tine Bech.

Tine Bech, a visual artist and researcher who works with interactive installations and public art. She was born in Denmark and now lives and works in London. Her practice is concerned with how we engage with our immediate environment. Projects have centred on the use of interactive electronics and location tracking technology, urban spaces and environmental elements such as gravity, water, sound and light to develop spaces where participations, play, and experiences of immersion take place.

cura.magazine, roma,

Dan Perjovschi, Hong Kong First, 29 January – 17 April 2011

Para/Site Art Space, G/F, 4 Po Yan Street, Sheung Wan, Hong Kong,

— View from Edward Krasinski – Eustachy Kossakowski’s J’AI PERDU LA FIN!!! at BROADWAY 1602, New York.

Edward Krasinski – Eustachy Kossakowski “J’ai Perdu La Fin !!!” at 1602 BROADWAY, New York

A rhapsody in blue (Edward Krasiński) or b&w (Eustachy Kossakowski): Media Farzin on the aura of documentation vs the real thing at Broadway 1602.

read here

— e-flux is pleased to announce the release of Boris Groys’ Going Public, the third in an ongoing series of books published by e-flux journal with Sternberg Press.

Jeppe Hein, January 28 – March 5, 2011, 303 Gallery, New York,

Top Art Blog 2010 Awards, Arts Media Contacts,

— Nemzeti Művészetért Alapítvány /NMA/ 2010. December 14-én megalapította az NMA NAPIDÍJAT.

Az alapítók szándékai szerint díjazott lehet minden olyan magyar állampolgár, aki a kortárs kultúrának tevőleges részeként él és alkot.

Ezen kitétel valódiságának vizsgálatát az NMA átruházza magára a díjazottra. Ugyanis az NMA NAPIDÍJ önkéntes.

A DÍJra nincs központi nominálás. AZ NMA NAPIDÍJ közkincs.

— Zsűrimentes kiállítások az újpesti Ady Endre Művelődési Ház és Munkástovábbképző Központ Mini Galériájában
(Budapest IV. ker. Árpád út 37.), 1980-1982-ben –
galériavezető Swierkiewicz Róbert –
2011. január 27, Liget Galéria

— Harry Stendhal Presents: ‘Mapping Maciunas’ and ‘Exercise’, Stendhal Gallery

“Stendhal Gallery is pleased to announce the opening of two exhibitions, ‘Mapping Maciunas’ and ‘Exercise’ on February 3, 2011. Both exhibitions examine the work of Fluxus artist, George Maciunas, who blended his education in architecture, graphic design and musicology to produce new ways of thinking about the state of contemporary society.

Throughout his life, Maciunas prided himself in the creation of ‘learning machines,’ charts and diagrams to find precedents, clarify and advance the experimental art of his time. ‘Mapping Maciunas,’ exhibits various charts and diagrams relating not only to Fluxus and the avant-garde but to history and arts education.

The documentation of Fluxus personalities and events lead to the creation of Maciunas’ ‘Diagram of Historical Development of FluxusŠ’ (1973), arguably a masterwork, which posits Fluxus in a continuum of radical art history brought center stage by Dada, Marcel Duchamp and John Cage.

Setting his sights on more practical matters, Maciunas undertook a 1968-1969 grant supported by the Carnegie Corporation of New York to improve arts education in the United States. His research for ‘Proposals for Art Education,’ resulted in a series of charts and diagrams including ‘Contemporary Man’ and a ‘Curriculum Plan’ for both art majors and non-major programs.

Just as Maciunas’s charts connect strains in historical movements rather then simply depicting history as a precession of events, ‘Exercise’ takes an approach to understanding Fluxus, finding the forebears of Fluxus attitude not simply in Dada or other avant-garde movements in relation to which Fluxus is often contextualized, whether it be pre-Socratic philosopher and believer in ‘universal flux’ Heraclitus, or fourteenth century philosopher and originator of the Ockham’s Razor principle William of Ockham, ‘Exercise’ alleges that the Fluxus attitude long predates Fluxus, George Maciunas, or Duchamp.

On display in ‘Exercise,’ is an installation inspired by Maciunas’s charts tracing the Fluxus attitude. Alongside this installation are Fluxus artworks by George Brecht, La Monte Young, Chieko Shiomi, Yoko Ono, Ken Friedman, Hans Richter, Giussepe Chiari, Nam Jun Paik, Robert Filliou and other artists who embody this attitude by using the concision of a haiku or a punch line to rupture our epistemological categories and encourage us to create our own. Juxtaposed with these works are artworks by David Bernstein, John Robert Moore, Nicole Demby, Narumi Iyama and Harry Stendhal, conceptual exercises that use Fluxus an a template for making one’s own templates.” (via stendhal)


— Asia Art Archive

— Interview with Johannes Grenzfurthner of monochrom Part 3.

Marc Da Costa interviews Johannes Grenzfurthner, founder of monochrom. Matthias Wagner K’

Where do you stand, colleague? Art criticism and social critique, Symposium on the occasion of the 20th anniversary of Texte zur Kunst, Dec 11, 2010, Hebbel-Theater am Ufer (HAU 1), Stresemannstrasse 29, Berlin

Panel I: New Spirit of Criticism? The Biopolitical Turn in Perspective, Panel II: Between Specificity and Context. Social Art History Revisited, Panel III: From the Anti-Aesthetic to Aesthetic Experience?

Hiroh Kikai “Asakusai portréi”

Cristina García Rodero. Transtempo, 18 Nov 2010 – 13 Febr 2011 Centro Galego de Arte Contemporánea, Santiago de Compostela, (kép)

— Kelengye, elkendőzés, leleplezés, Baglyas Erika


Ana Mendieta: Documentation and Artwork, 1972-1985, Galerie Lelong, October 28 – December 11, 2010

Ana Mendietáról: wiki

economies of the commons,

Joseph Beuys. Parallel Processes, 11 Sept 2010 – 16 Jan 2011 Kunstsammlung Nordrhein-Westfalen Düsseldorf,

all we ever wanted was everything, Nov 5 – Dec 4, 2010, EFA Project Space, New York, NY

XLterrestrial Newsletter:

Living on the Edge: People, Place & Possibility, Tulca Festival of Visual Arts 2010 Galway Ireland 6th – 21st November 2010

— Franco Berardi Cognitarian Subjectivation,

Micah White: Google is polluting the internet,

ABOUT PUBLIC ACTIONS AND AESTHETIC JOURNEYS – PHOTOGRAPHY AND THE INTERNET A lecture series with contributions by Karin Bruns, Marc Ries, and Ruth Horak

“The More I Look, The More I See” Nov 10 – Dec 10 2010 in Galženica Gallery (Velika Gorica/Zagreb),

BACA Laureate 2010: Francis Alÿs, 7 November 2010 – 27 March 2011 Maastricht,

2010/10/20 88vier free cultural radio from Berlin!

MARTHA ROSLER. AS IF 24 October 2010 – 30 January 2011 GAM-Civic Gallery of Modern and Contemporary Art, Turin, Italy

— AZ ISMERETLEN ISMERŐS – ESCHER KÁROLY ÉLETMŰ KIÁLLÍTÁS 2010. október 21.- 2010. december 12.

— Interview with Johannes Grenzfurthner of monochrom Part 2. Marc Da Costa interviews the ever dynamic Johannes Grenzfurthner, founder of monochrom.

— the Drop Shadow Talks continue and will present JODI‘s latest works. Enter the shade–at Berliner Technische Kunsthochschule: Nov 2 JODI Thumbing & FolkSomy.vj

MACHFELD | conceptual media art [Sabine Maier | Michael Mastrototaro]

aviva http://star–

Deleuze, and (Which) Politics? Stevphen Shukaitis, From Culture Machine (

— Networks and Sociability in East European Art, SocialEast Seminar 2010 oct 23, 9-6 pm, Courtauld Institute of Art London,

Basquiat, 15 October 2010 – 30 January 2011 Musée d’Art moderne de la Ville de Paris

— Of Animals and Monsters, SICK 80s. The AIDS Crisis, Art and Counter-biopolitical Guerrilla, Museu d’Art Contemporani de Barcelona (MACBA) kép Fortune Clofullia, 1853. (Missouri History Museum)

RE:akt! Rotovž Exhibition Salon, Maribor Art Gallery Trg Leona Štuklja 2, Maribor, Slovenia 21 October – 19 November 2010 publ

No More Drama, Rőda Sten,, SEJLA KAMERIC October 9 – November 21, 2010 kép Glück © Sejla Kameric (2010)

wooloopick, vote!


Bert Theis, European Pentagon, Safe and Sorry Pavilion, 2005. Propriété du Ministère de la Culture. Installé par le Fonds d’Urbanisation et d’Aménagement du Plateau de Kirchberg dans le cadre de l’année culturelle 2007.

mudam collection, luxemburg

Aksioma – Institute for Contemporary Art, Ljubljana presents: Société Réaliste, Cosmopolites de tous les pays encore un effort, For more information:

Deena DeNaro, film-maker & creative activist about her project “Reversing the Wave” a ‘Subvertisement’ that brings Nokia’s brand identity closer in alignment to its actions. In the style of Ad-Busters Magazine and the Yes Men it offers “Brand Identity Correction” for a corporation who has put profits above privacy and basic human rights.

Hellicar & Lewis – a creative partnership formed in 2009 by Joel Gethin Lewis and Pete Hellicar. The partnership was founded to blend the analogue and the digital, to make experiences and systems in the real world that create memories. Current clients include the V&A, Nike and Sony.


No place like – 4 houses, 4 films, Aires Mateus, Bak Gordon, Carrilho da Graça, , Siza Vieira, Ca’ Foscari University, Dorsoduro 3246 (Calle Foscari) Venice, kép: João Onofre, “Untitled (SUN 2500)”, 2010 HD Mono-channel video, PAL, 16:9. Colour, Sound, Courtesy of Cristina Guerra Contemporary Art, Lisbon


Marco Poloni : The Majorana Experiment, Dora García: I Am a Judge, August 21 – October 10, 2010 Kunsthalle Bern

The Bidoun Library Project

mutabor és madárfészekárus

liget galéria, 2010/8/12-2010/9/2

flux-s, eindhoven

grimmuseum, berlin


— Workers Leaving the Workplace, Muzeum Sztuki in Lodz,, 2010/7/6-2010/9/5, kép Mladen Stilinović, Work Cannot Exist, 1976

— zombie prom queen fever,

photos, zelany rashoho

ne barátkozz

— Nam June Paik Art Center: NJP Reader # 1 Contributions to an Artistic Anthropology

— Charles Fréger




— Eva and Franco Mattes aka 0100101110101101.ORG: No Fun 2010, online performance

— Joseph’s hidden cellar

My City, Art and Public Space: May Symposium, 8th and 15th May 2010 Istanbul, Platform Garanti Contemporary Art Center and and

Csontó Lajos

Kasia Molga (London)

resonance fm

artforum, május 2010, benne “The Next Act: Issues in Contemporary Performance.”

Flash Art International No. 272 May-June Issue 2010

Galéria Kressling si Vás dovoľuje pozvať na výstavu Rudolf  Sikora – One more Otvorenie výstavy je v piatok 07.05.2010 o 18.00 v priestoroch Galérie Kressling

Fillip Issue 11 / Spring 2010 (Vancouver)

Mistaken Identity / Dan Graham, Innocence Project, Carol Irving, John Schabel, Karen Yama, The Yes Men,

Recycle The Future!, 5.5. – 30.5. 2010.

Fülep Lajos konferencia, MTA Társadalomkutató Központ, Jakobinus Terem (1014 Budapest, Országház u. 30.), 2010/5/7, 10.00-17.00  hozzá: Perneczky Géza: Kis magyar epilógus, művészet, ahogy Fülep Lajos és Kassák látta

Lighthouse, creative and professional development opportunities for filmmakers, sreenwriters, digital artists and animators

fluxus 2010 – International Film Festival on the Internet

Umelec Magazine