Posts Tagged ‘videó’

CologneOFF X
10th Cologne International Videoart Festival
Deadline: 30 April 2014
Theme” Total Art (Gesamtkunstwerk)
The 10th festival edition in sequence is looking for
experimental film & video works executed by one single artist.
Details, regulations and entry form

animateCOLOGNE 2014
Cologne Art & Animation Festival
Deadline: 5 May 2014
as a festival format by CologneOFF;
animateCOLOGNE is looking for the best animated art works
dealing with the topic “memory & identity”

SFC – Shoah Film Collection
Deadline: 2 June 2014
This worldwide unique inititiative is looking for new
art videos dealing with the topic of “Shoah” to extend
the collection and its presentations worldwide.

CTF – Collective Trauma Film Collections
Deadline: 1 July 2014
For its worldwide presentations, CTF is looking for experimental and documentary art videos
dealing with collective trauma caused by totalitarianism


A gyakorlattól a diszkurzusig. Kortárs művészetelméletiszöveggyűjtemény. szerk.: Kékesi Zoltán, Lázár Eszter, Varga Tünde, Szoboszlai János


Az ajándék ló foga:


o, superman


 — The 16th Japan Media Arts Festival: call for entries

Application deadline: September 20, 2012
Announcement of award-winning works: Mid-December, 2012
Awards ceremony: Tuesday, February 12, 2013
Exhibition of award-winning works: February 13–February 24, 2013 (Closed Feb 19)

The National Art Center, Tokyo
7-22-2 Roppongi
Minato-ku, Tokyo
106-8558 Japan
Facebook / Twitter

Von: International Teletext Art Festival <>

Datum: 13. August 2012 13:49:09 MESZ

Betreff: International Teletext Art Festival in ARD Text starts

More info on the artists and works:

More info on the exhibition:

The ARD-Text:

Frieze is now producing films to accompany the publication of each issue of the magazine. They can be viewed online at

— The 2012 Creative Time Summit: Confronting Inequity

October 12–13, 2012

Skirball Center for the Performing Arts
New York University
566 LaGuardia Place
New York, NY 10012

Expected presenters include:
Martha Rosler (Keynote), Slavoj Žižek (Keynote), BijaRi, Jeff Chang, Carolyn Christov-Bakargiev, Conflict Kitchen, Malkia Cyril, Rebel Diaz, Jodie Evans and Suzanne Lacy, Fernando García-Dory, Pablo Helguera, Invisible Borders, Steve Lambert, L.A.P.D. (Los Angeles Poverty Department), Josh MacPhee, Leonidas Martin, Mosireen, Joia Mukherjee, Oda Projesi, Otolith Group, Taring Padi, Laura Poitras, Michael Rakowitz, Škart, Hito Steyerl, Tidal Journal, and more.

— Podcast: Michael Baldwin and Mel Ramsden talk about Art & Language


Kontraste 2012 – Electric Shadows presents cutting-edge live performances, installations, films, lectures and sound walks in Krems/Austria from Oct 12 – 14. The festival is conceived as a ‘leap into the void’, a voyage through the electromagnetic spectrum, with audiovisual experiments that manipulate analogue and digital signals to amplify our senses, investigate the dark, and explore cosmological unknowns.

The complete programme is now online at

Furtherfield – A living, breathing, thriving network – for art, technology and social change since 1997

Also – Furtherfield Gallery&  Social Space:

About Furtherfield:

Netbehaviour – Networked Artists List Community.

 Leonardo / The first article Just Accepted is:

“Open Source Architecture: an Exploration of Source Code and Access in

Architectural Design” by Theodora Vardouli and Leah Buechley

— Podcast: Deutsche Kassettentäter. The rise of the German home-recording tape scene, parts #1 and #2. Curated by Felix Kubin

Part #1: Mix Link:


Related info/playlist:

Translated lyrics:

Part #2: Interviews with Alfred Hilsberg (ZickZack Records) and Frank Apunkt Schneider



Related info/playlist:

Follow us at

Intimate Politics: An Interview with Andreas Broeckmann.

By Lawrence Bird.


— The MINI Museum of XXI Century Arts is proud to announce the launch of the second site-specific project designed for its low cost, itinerant architecture: Here (2011), by the London-based artists duo Thomson & Craighead ( More infos:

— …ment is an online journal for contemporary culture, art and politics published in irregular intervals. Through a multi-disciplinary set of editorial forms, the journal aims to reflect on current societal issues and debates.

himalayas art museum, shanghai,

Digimag 62 – March 2011



Eredeti és másolat/The Original and the Copy | Erdély Miklós, 2011. március 22.- 2011. április 22. | |1053 Budapest, V., Magyar u. 26.

Ritual Memories STYX Projects Berlin

Indigórajzok | Erdély Miklós|2011. március 22. – 2011. április 15.|Budapest, V. Képíró utca 5. Kisterem

videoart from croatia, és

— Egyszerű többség – Művészeti együttműködések bemutatása | 1000%, Asztaltársaság, Besorolás Alatt, Csoport , D1618 , Kitchen Budapest, LaciésBalázs , Plágium 2000, SZ.A.F., Szentirmai Tamás + Vági János + Szakács István, Szövetség , Tehnica Schweiz és Katarina Sevic, The Corporation, The Randomroutines, Újirány C 2011. március 25.- 2011. április 23. web |

Reconsidering the Historiography of the Historical Avant-Garde(s): April 8, 2011 The PhD Program in Art History at the CUNY Graduate Center, New York

Petrányi Zsolt: KKK – Kézikönyv kezdő kurátoroknak

Pablo Helguera: Stílus a kortárs művészetben (Elmegyakorlat 07, Műcsarnok könyvek, 2011)

— The 8. Furla Prize 2011

Pleure qui peut, rit qui veut

Shortlist exhibition

29 January – 6 February 2011, Bologna,

Christian Boltanski for 8.Premio Furla 2011.

La Générale


Class Wargames and Tine Bech Interviewed on Resonance FM by Furtherfield 2010

Dr. Richard Barbrook & Fabian Tompsett. Interview by Marc Garrett,

Dr. Richard Barbrook & Fabian Tompsett talk about their collaborative group Class Wargames & their current project ‘The Game of War’. Guy Debord, strategist of the Situationist International, developed the game while in exile after the May ’68 Revolution, and came to regard it as his most important project. For Debord, The Game of War wasn’t just a game. The Game of War is a Clausewitz simulator: a Napoleonic-era military strategy game where armies must maintain their communications structure to survive – and where victory is achieved by smashing your opponent’s supply network rather than by taking their pieces.

Irini & Jonathan interview Tine Bech.

Tine Bech, a visual artist and researcher who works with interactive installations and public art. She was born in Denmark and now lives and works in London. Her practice is concerned with how we engage with our immediate environment. Projects have centred on the use of interactive electronics and location tracking technology, urban spaces and environmental elements such as gravity, water, sound and light to develop spaces where participations, play, and experiences of immersion take place.

cura.magazine, roma,

Dan Perjovschi, Hong Kong First, 29 January – 17 April 2011

Para/Site Art Space, G/F, 4 Po Yan Street, Sheung Wan, Hong Kong,

— View from Edward Krasinski – Eustachy Kossakowski’s J’AI PERDU LA FIN!!! at BROADWAY 1602, New York.

Edward Krasinski – Eustachy Kossakowski “J’ai Perdu La Fin !!!” at 1602 BROADWAY, New York

A rhapsody in blue (Edward Krasiński) or b&w (Eustachy Kossakowski): Media Farzin on the aura of documentation vs the real thing at Broadway 1602.

read here

— e-flux is pleased to announce the release of Boris Groys’ Going Public, the third in an ongoing series of books published by e-flux journal with Sternberg Press.

Jeppe Hein, January 28 – March 5, 2011, 303 Gallery, New York,

Top Art Blog 2010 Awards, Arts Media Contacts,

— Nemzeti Művészetért Alapítvány /NMA/ 2010. December 14-én megalapította az NMA NAPIDÍJAT.

Az alapítók szándékai szerint díjazott lehet minden olyan magyar állampolgár, aki a kortárs kultúrának tevőleges részeként él és alkot.

Ezen kitétel valódiságának vizsgálatát az NMA átruházza magára a díjazottra. Ugyanis az NMA NAPIDÍJ önkéntes.

A DÍJra nincs központi nominálás. AZ NMA NAPIDÍJ közkincs.

— Zsűrimentes kiállítások az újpesti Ady Endre Művelődési Ház és Munkástovábbképző Központ Mini Galériájában
(Budapest IV. ker. Árpád út 37.), 1980-1982-ben –
galériavezető Swierkiewicz Róbert –
2011. január 27, Liget Galéria

— Harry Stendhal Presents: ‘Mapping Maciunas’ and ‘Exercise’, Stendhal Gallery

“Stendhal Gallery is pleased to announce the opening of two exhibitions, ‘Mapping Maciunas’ and ‘Exercise’ on February 3, 2011. Both exhibitions examine the work of Fluxus artist, George Maciunas, who blended his education in architecture, graphic design and musicology to produce new ways of thinking about the state of contemporary society.

Throughout his life, Maciunas prided himself in the creation of ‘learning machines,’ charts and diagrams to find precedents, clarify and advance the experimental art of his time. ‘Mapping Maciunas,’ exhibits various charts and diagrams relating not only to Fluxus and the avant-garde but to history and arts education.

The documentation of Fluxus personalities and events lead to the creation of Maciunas’ ‘Diagram of Historical Development of FluxusŠ’ (1973), arguably a masterwork, which posits Fluxus in a continuum of radical art history brought center stage by Dada, Marcel Duchamp and John Cage.

Setting his sights on more practical matters, Maciunas undertook a 1968-1969 grant supported by the Carnegie Corporation of New York to improve arts education in the United States. His research for ‘Proposals for Art Education,’ resulted in a series of charts and diagrams including ‘Contemporary Man’ and a ‘Curriculum Plan’ for both art majors and non-major programs.

Just as Maciunas’s charts connect strains in historical movements rather then simply depicting history as a precession of events, ‘Exercise’ takes an approach to understanding Fluxus, finding the forebears of Fluxus attitude not simply in Dada or other avant-garde movements in relation to which Fluxus is often contextualized, whether it be pre-Socratic philosopher and believer in ‘universal flux’ Heraclitus, or fourteenth century philosopher and originator of the Ockham’s Razor principle William of Ockham, ‘Exercise’ alleges that the Fluxus attitude long predates Fluxus, George Maciunas, or Duchamp.

On display in ‘Exercise,’ is an installation inspired by Maciunas’s charts tracing the Fluxus attitude. Alongside this installation are Fluxus artworks by George Brecht, La Monte Young, Chieko Shiomi, Yoko Ono, Ken Friedman, Hans Richter, Giussepe Chiari, Nam Jun Paik, Robert Filliou and other artists who embody this attitude by using the concision of a haiku or a punch line to rupture our epistemological categories and encourage us to create our own. Juxtaposed with these works are artworks by David Bernstein, John Robert Moore, Nicole Demby, Narumi Iyama and Harry Stendhal, conceptual exercises that use Fluxus an a template for making one’s own templates.” (via stendhal)


Herczeg Klára-díjazottak kiállítása | Horváth Tibor, Medve András

megnyitó |2010. december 10. 19:00 Labor, a díjról: wiki

Evaldas Jansas


— Bibliotheca Philosophica Hermetica (Ritman Library), Amsterdam

interface journal: Interface: a journal for and about social movements

— Jeppe Hein: 1x Museum, 10x Rooms, 11x Works, Jeppe Hein, 22 October 2010 – 6 February 2011, State Museum for Art and Design in Nuremberg, jeppe hein 

so, without further ado – here it comes, 2 new chunks of UBERMORGEN.COM work..CLICKISTAN, CLICKISTAN by the artist team UBERMORGEN.COM (lizvlx and Hans Bernhard) is a work of game art and an homage to the net art of the mid-90s: it invents its own territory—ruled by the click—and celebrates the pixel in imaginative variations.

plus: Centre Georges Pompidou “RE:MADE” Black n White


vitra design museum

Katalizátor-díj 2010-es kampánya


— Domenico Quaranta, Media, New Media, Postmedia, Postmediabooks, Milan 2010., cover 300 dpi:

A consistent preview of the book is available on Google Books (

pin-up magazine, (architectural entertainment) LA,

NAi Publishers is an international orientated publisher specialized in the development, production and distribution of books on architecture, visual art and related disciplines.

— A reference center for artistic production from the world’s geopolitical South, Associação Cultural Videobrasil ( creates actions geared towards diffusing knowledge on contemporary art.


Bert Theis, European Pentagon, Safe and Sorry Pavilion, 2005. Propriété du Ministère de la Culture. Installé par le Fonds d’Urbanisation et d’Aménagement du Plateau de Kirchberg dans le cadre de l’année culturelle 2007.

mudam collection, luxemburg

Aksioma – Institute for Contemporary Art, Ljubljana presents: Société Réaliste, Cosmopolites de tous les pays encore un effort, For more information:

Deena DeNaro, film-maker & creative activist about her project “Reversing the Wave” a ‘Subvertisement’ that brings Nokia’s brand identity closer in alignment to its actions. In the style of Ad-Busters Magazine and the Yes Men it offers “Brand Identity Correction” for a corporation who has put profits above privacy and basic human rights.

Hellicar & Lewis – a creative partnership formed in 2009 by Joel Gethin Lewis and Pete Hellicar. The partnership was founded to blend the analogue and the digital, to make experiences and systems in the real world that create memories. Current clients include the V&A, Nike and Sony.


— espace maurice blanchot

a lényegi magányosság

— Brendel Mátyás: “Tetten ért szavak”: Carnap versus Heidegger (Világosság, 2008/9-10.)

Camera Obscura oktatófilm 3/3

quietube: (without distractions)

Sly Lebulleur, soap bubble

Ulrich Riedel | ME – WE at Berlin Art Projects, 2010/5/7-2010/6/30



— Blue Noses: Párhuzamok film és videó között, Videó remake-ek, kísérleti film, korai filmtechnikák a videóművészetben

Kurátor: Blue Noses (Viacheslav Mizin, Alexander Shaburov) 2010/6/10-2010/7/31

Agents & Provocateurs & előtte & utána (hock Beáta, mv Tímár Katalin) 2010/6/8,

korábban ica-d, 2009/10/16-2010/11/20,, és most Dortmund, 2010/5/15-2010/7/18

danja vasiliev, interjú (Mark Garrett):

liberate Tate

Gerber retro

individ –  Eike url –  Horváth Tibor yt –  Szacsva y Pál url –  Keserue Zsolt ica-d –  Komoróczky Tamás url –  Orbán György blog –  Szörényi Beatrix blog

Learning While Performing, Performing While Learning – Martino Gamper, Z33, Hasselt,

Julieta Aranda (most Julieta Aranda: If you tell the story well, it will not have been a comedy, 28 May – 11 July 2010, Kunstverein Arnsberg e.V.

space, london

Havasréti József: Széteső dichotómiák. Színterek és diskurzusok a magyar neoavantgárdban, Gondolat Kiadó, – Artpool – PTE Kommunikáció- és Médiatudományi Tanszék, Budapest-Pécs, 2009

A könyvből részek az Artpoolon:

– Széteső dichotómiák Klaniczay Júlia – Sasvári Edit Törvénytelen avantgárd című könyvéről.

– Az Aktuális Levél esztétikája és(mediális) archeológiája

crosstalk video fesztivál, 2010/6/1-2010/6/6, merlin színház,

With Your Eyes Only, Perceptive Moments – An Investment in Time CCNOA center for contemporary non-objective art, Brüsszel,

(és Kunstverein Medienturm, Graz,

— Rob Myers reviews Jaron Lanier’s book ‘You Are Not A Gadget’.