Posts Tagged ‘audio’

 — The 16th Japan Media Arts Festival: call for entries

Application deadline: September 20, 2012
Announcement of award-winning works: Mid-December, 2012
Awards ceremony: Tuesday, February 12, 2013
Exhibition of award-winning works: February 13–February 24, 2013 (Closed Feb 19)

The National Art Center, Tokyo
7-22-2 Roppongi
Minato-ku, Tokyo
106-8558 Japan

www.j-mediaarts.jp
Facebook / Twitter

Von: International Teletext Art Festival <itaf@fixc.fi>

Datum: 13. August 2012 13:49:09 MESZ

Betreff: International Teletext Art Festival in ARD Text starts

More info on the artists and works: www.fixc.fi/itaf

More info on the exhibition: www.pflueger68.de/itaf.html

The ARD-Text: www.ard-text.de

Frieze is now producing films to accompany the publication of each issue of the magazine. They can be viewed online at  video.frieze.com.

— The 2012 Creative Time Summit: Confronting Inequity

October 12–13, 2012

Skirball Center for the Performing Arts
New York University
566 LaGuardia Place
New York, NY 10012

www.creativetime.org/summit

Expected presenters include:
Martha Rosler (Keynote), Slavoj Žižek (Keynote), BijaRi, Jeff Chang, Carolyn Christov-Bakargiev, Conflict Kitchen, Malkia Cyril, Rebel Diaz, Jodie Evans and Suzanne Lacy, Fernando García-Dory, Pablo Helguera, Invisible Borders, Steve Lambert, L.A.P.D. (Los Angeles Poverty Department), Josh MacPhee, Leonidas Martin, Mosireen, Joia Mukherjee, Oda Projesi, Otolith Group, Taring Padi, Laura Poitras, Michael Rakowitz, Škart, Hito Steyerl, Tidal Journal, and more.

http://de.wikipedia.org/wiki/Barcamp

— Podcast: Michael Baldwin and Mel Ramsden talk about Art & Language

http://bit.ly/MzXEDw

KONTRASTE 2012 – ELECTRIC SHADOWS

Kontraste 2012 – Electric Shadows presents cutting-edge live performances, installations, films, lectures and sound walks in Krems/Austria from Oct 12 – 14. The festival is conceived as a ‘leap into the void’, a voyage through the electromagnetic spectrum, with audiovisual experiments that manipulate analogue and digital signals to amplify our senses, investigate the dark, and explore cosmological unknowns.

The complete programme is now online at www.kontraste.at

Furtherfield – A living, breathing, thriving network

http://www.furtherfield.org – for art, technology and social change since 1997

Also – Furtherfield Gallery&  Social Space: http://www.furtherfield.org/gallery

About Furtherfield: http://www.furtherfield.org/content/about

Netbehaviour – Networked Artists List Community.

http://www.netbehaviour.org

http://identi.ca/furtherfield

http://twitter.com/furtherfield

 Leonardo / The first article Just Accepted is:

“Open Source Architecture: an Exploration of Source Code and Access in

Architectural Design” by Theodora Vardouli and Leah Buechley

http://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_00470

— Podcast: Deutsche Kassettentäter. The rise of the German home-recording tape scene, parts #1 and #2. Curated by Felix Kubin

Part #1: Mix Link: http://bit.ly/n3aN7s

MP3: http://bit.ly/gpqhyK

Related info/playlist: http://bit.ly/R8aoEm

Translated lyrics: http://bit.ly/MVOSev

Part #2: Interviews with Alfred Hilsberg (ZickZack Records) and Frank Apunkt Schneider

Link: http://bit.ly/oRtfAZ

MP3: http://bit.ly/rkVaAy

Related info/playlist: http://bit.ly/pQUAET

Follow us at http://twitter.com/Radio_Web_MACBA

Intimate Politics: An Interview with Andreas Broeckmann.

By Lawrence Bird. http://www.furtherfield.org/features/interviews/intimate-politics-interview-andreas-broeckmann

Reklámok

— The 8. Furla Prize 2011

Pleure qui peut, rit qui veut

Shortlist exhibition

29 January – 6 February 2011, Bologna, www.fondazionefurla.org

Christian Boltanski for 8.Premio Furla 2011.

La Générale http://lageneralenordest.over-blog.fr/

click http://www.billionsareclicking.com/

Class Wargames and Tine Bech Interviewed on Resonance FM by Furtherfield 2010 http://www.furtherfield.org/radio/24112010-class-wargames-and-tine-bech

Dr. Richard Barbrook & Fabian Tompsett. Interview by Marc Garrett,

Dr. Richard Barbrook & Fabian Tompsett talk about their collaborative group Class Wargames & their current project ‘The Game of War’. Guy Debord, strategist of the Situationist International, developed the game while in exile after the May ’68 Revolution, and came to regard it as his most important project. For Debord, The Game of War wasn’t just a game. The Game of War is a Clausewitz simulator: a Napoleonic-era military strategy game where armies must maintain their communications structure to survive – and where victory is achieved by smashing your opponent’s supply network rather than by taking their pieces. www.classwargames.net

Irini & Jonathan interview Tine Bech.

Tine Bech, a visual artist and researcher who works with interactive installations and public art. She was born in Denmark and now lives and works in London. Her practice is concerned with how we engage with our immediate environment. Projects have centred on the use of interactive electronics and location tracking technology, urban spaces and environmental elements such as gravity, water, sound and light to develop spaces where participations, play, and experiences of immersion take place. www.tinebech.com

cura.magazine, roma,  www.curamagazine.com

Dan Perjovschi, Hong Kong First, 29 January – 17 April 2011

Para/Site Art Space, G/F, 4 Po Yan Street, Sheung Wan, Hong Kong, www.para-site.org.hk

— View from Edward Krasinski – Eustachy Kossakowski’s J’AI PERDU LA FIN!!! at BROADWAY 1602, New York.

Edward Krasinski – Eustachy Kossakowski “J’ai Perdu La Fin !!!” at 1602 BROADWAY, New York

A rhapsody in blue (Edward Krasiński) or b&w (Eustachy Kossakowski): Media Farzin on the aura of documentation vs the real thing at Broadway 1602.

read here

— e-flux is pleased to announce the release of Boris Groys’ Going Public, the third in an ongoing series of books published by e-flux journal with Sternberg Press.

Jeppe Hein, January 28 – March 5, 2011, 303 Gallery, New York, www.303gallery.com

Top Art Blog 2010 Awards, Arts Media Contacts, www.artsmediacontacts.co.uk

— Nemzeti Művészetért Alapítvány /NMA/ 2010. December 14-én megalapította az NMA NAPIDÍJAT.

Az alapítók szándékai szerint díjazott lehet minden olyan magyar állampolgár, aki a kortárs kultúrának tevőleges részeként él és alkot.

Ezen kitétel valódiságának vizsgálatát az NMA átruházza magára a díjazottra. Ugyanis az NMA NAPIDÍJ önkéntes.

A DÍJra nincs központi nominálás. AZ NMA NAPIDÍJ közkincs. http://nmalapitvany.tk/nmanapidij

— Zsűrimentes kiállítások az újpesti Ady Endre Művelődési Ház és Munkástovábbképző Központ Mini Galériájában
(Budapest IV. ker. Árpád út 37.), 1980-1982-ben –
galériavezető Swierkiewicz Róbert –
http://www.ligetgaleria.c3.hu/mini.html
2011. január 27, Liget Galéria

http://www.youtube.com/watch?feature=player_embedded&v=EFBnYyI4KVc#

— Harry Stendhal Presents: ‘Mapping Maciunas’ and ‘Exercise’, Stendhal Gallery stendhalgallery.com

“Stendhal Gallery is pleased to announce the opening of two exhibitions, ‘Mapping Maciunas’ and ‘Exercise’ on February 3, 2011. Both exhibitions examine the work of Fluxus artist, George Maciunas, who blended his education in architecture, graphic design and musicology to produce new ways of thinking about the state of contemporary society.

Throughout his life, Maciunas prided himself in the creation of ‘learning machines,’ charts and diagrams to find precedents, clarify and advance the experimental art of his time. ‘Mapping Maciunas,’ exhibits various charts and diagrams relating not only to Fluxus and the avant-garde but to history and arts education.

The documentation of Fluxus personalities and events lead to the creation of Maciunas’ ‘Diagram of Historical Development of FluxusŠ’ (1973), arguably a masterwork, which posits Fluxus in a continuum of radical art history brought center stage by Dada, Marcel Duchamp and John Cage.

Setting his sights on more practical matters, Maciunas undertook a 1968-1969 grant supported by the Carnegie Corporation of New York to improve arts education in the United States. His research for ‘Proposals for Art Education,’ resulted in a series of charts and diagrams including ‘Contemporary Man’ and a ‘Curriculum Plan’ for both art majors and non-major programs.

Just as Maciunas’s charts connect strains in historical movements rather then simply depicting history as a precession of events, ‘Exercise’ takes an approach to understanding Fluxus, finding the forebears of Fluxus attitude not simply in Dada or other avant-garde movements in relation to which Fluxus is often contextualized, whether it be pre-Socratic philosopher and believer in ‘universal flux’ Heraclitus, or fourteenth century philosopher and originator of the Ockham’s Razor principle William of Ockham, ‘Exercise’ alleges that the Fluxus attitude long predates Fluxus, George Maciunas, or Duchamp.

On display in ‘Exercise,’ is an installation inspired by Maciunas’s charts tracing the Fluxus attitude. Alongside this installation are Fluxus artworks by George Brecht, La Monte Young, Chieko Shiomi, Yoko Ono, Ken Friedman, Hans Richter, Giussepe Chiari, Nam Jun Paik, Robert Filliou and other artists who embody this attitude by using the concision of a haiku or a punch line to rupture our epistemological categories and encourage us to create our own. Juxtaposed with these works are artworks by David Bernstein, John Robert Moore, Nicole Demby, Narumi Iyama and Harry Stendhal, conceptual exercises that use Fluxus an a template for making one’s own templates.” (via stendhal)

Vivian Maier (1926-2009) http://vivianmaier.blogspot.com/

TATE ETC. Issue 21 Visiting and Revisiting Art, etcetera www.tate.org.uk/tateetc

“My ideal would really be just to pick up a handful of paint and throw it at the canvas and hope that the portrait was there.” Francis Bacon, p65

MyWar: Participation in an Age of Conflict, http://www.aeac.ca/exhibitions/upcoming/mywar.html, Queen’s University, Kingston, MyWar investigates identity, participation and the reality of conflict in a digitally networked world. Artists: Renzo Martens, S.W.A.M.P, Thomson & Craighead, Dunne & Raby, Milica Tomic, Sarah Vanagt, Oliver Laric, Joseph DeLappe, Harun Farocki. Catalogue: http://www.artbooksheidelberg.de/html/detail/en/mywar-978-3-86828-134-7.html

RUMOURS FROM THE EASTERN UNDERGROUND, Felix Kubin leads us on a tour of underground sound production in Eastern Europe. Link: http://bit.ly/hcQo5Q MP3 file: http://bit.ly/b89uKZ Related info: http://bit.ly/dzDQ2f

e-flux journal, Issue no. 22 — “Idiot Wind: On the Rise of Right-Wing Populism in the US and Europe, and What It Means for Contemporary Art”

Guest-edited by Paul Chan and Sven Lütticken January/February 2011 Available online: e-flux.com/journal

“When Paul Chan and Sven Lütticken proposed to gather a series of “reports” on the (mostly) recent rise of right-wing, populist movements for e-flux journal, it was immediately apparent that the urgency and complexity of the topic required its own special issue. As protests erupt throughout Europe in opposition to austerity measures being pushed through by right-wing governments and EU fiscal bodies, we are also now witnessing a phenomenon spreading throughout the Northern Hemisphere in which some of the most brazen hardline racist rhetoric emerges not only from politicians, but from the general populace as well. What is going on? It is our pleasure to present Chan and Lütticken’s “Idiot Wind” as the January/February 2011 issue of e-flux journal.” —Julieta Aranda, Brian Kuan Wood, Anton Vidokle

http://www.youtube.com/watch?v=8dflLt1G_Tc&feature=player_embedded

wenders, pina bauschhttp://www.wim-wenders.com/http://www.pina-film.de/

2010/5/10

Tirana 2010/5/4 www.opentheboxes.com

— Liam Gillick: The Good of Work, in e-flux 2010/5, issue # 16,  http://e-flux.com/journal/view/142

— Martin Blažíček (CZ) http://www.blazicek.net/ és Blazsek András, http://amigzaj.blogspot.com/ a Laborban 2010/5/14, 18.00 www.labor.c3.hu

ArtMag issue 60 TELL IT AS IT IS (NOT) Montage, Metamorphosis, Masks www.db-artmag.com

Soho in Ottakring, Bécs, www.sohoinottakring.at 2010/5/8-2010/5/22

ArtAsiaPacific Issue #68 May/June www.artasiapacific.com

— Igor és Iván Buharov (Szilágyi Kornél és Hevesi Nándor) filmvetítés labor 2010/5/13 18.00

A másik ember iránti féltés, 6 perc 1999

Hotel Tubu, 6 perc 2002 http://www.youtube.com/watch?v=ij_3Sz-lF5k

Lassú tükör, 84 perc 2007 http://lassutukor.hu/, http://film.indavideo.hu/video/f_lassu_tukor

Molytej, 8 perc 2009

(plus A másik ember iránti féltés diadala, 2000, 81.00)

((http://tranzit.org/, http://www.manifesta8.es/, http://www.labor.c3.hu/))

— Marina Abramović retrospektiv, http://www.frieze.com/blog/entry/ten_notes_on_marina_abramovics_the_artist_is_present/

Art Always Has Its Consequences 2010/5/8-2010/6/2 http://hu.tranzit.org/en/exhibition/0/2010-05-08/subversive-film-festival A volt Kortárs Művészeti Múzeum épületében, Katarinski trg 2 & Galerija Nova, Teslina 7, Zagráb, és http://www.subversivefilmfestival.com/ (2010/5/1-2010/5/25)

— digital oil painting http://ubermorgen.com/DEEPHORIZON/

My City, Art and Public Space: May Symposium, 8th and 15th May 2010 Istanbul, Platform Garanti Contemporary Art Center http://platformgaranti.blogspot.com/ and http://www.mycity.eu.com and http://www.benimkentim.org/ediary

Csontó Lajos http://www.fotografus.hu/hu/fotografusok/csonto-lajos

Kasia Molga (London) http://www.kasiamolga.net/

resonance fm http://www.furtherfield.org/resonancefm.php

artforum http://www.artforum.com/, május 2010, benne “The Next Act: Issues in Contemporary Performance.”

Flash Art International No. 272 May-June Issue 2010 http://www.flashartonline.com

Galéria Kressling si Vás dovoľuje pozvať na výstavu Rudolf  Sikora – One more Otvorenie výstavy je v piatok 07.05.2010 o 18.00 v priestoroch Galérie Kressling http://www.gallerykressling.sk/

Fillip Issue 11 / Spring 2010 (Vancouver) http://www.fillip.ca

Mistaken Identity / Dan Graham, Innocence Project, Carol Irving, John Schabel, Karen Yama, The Yes Men, http://carriagetrade.org/

Recycle The Future!, 5.5. – 30.5. 2010. http://www.galerijagalzenica.info/

Fülep Lajos konferencia, MTA Társadalomkutató Központ, Jakobinus Terem (1014 Budapest, Országház u. 30.), 2010/5/7, 10.00-17.00  hozzá: Perneczky Géza: Kis magyar epilógus, művészet, ahogy Fülep Lajos és Kassák látta http://www.c3.hu/~perneczky/articles/Fulep.html

Lighthouse, creative and professional development opportunities for filmmakers, sreenwriters, digital artists and animators http://www.lighthouse.org.uk/

fluxus 2010 – International Film Festival on the Internet http://www.fluxusonline.com

Umelec Magazine http://www.divus.cz/umelec/index.php

digimag, http://www.digicult.it

http://www.tenwordwiki.com/Front_PageTen Word Wiki is an Encyclopedia for the Add generation. We descibe everything in ten words exactly.

www.hehe.org

http://resonancefm.com ResonanceFM is “a laboratory for experimentation, that by virtue of its uniqueness brings into being a new audience of listeners and creators. All this and more, Resonance104.4fm aims to make London’s airwaves available to the widest possible range of practitioners of contemporary art.”

http://www.neme.org/ NeMe – exploring meaning, NeMe is a non profit, non government, Cyprus registered cultural NGO founded in November 2004. NeMe works on various platforms which focus on contemporary theories and their intersection with the arts.

— A nagy üzlet: Mindig mindenkinek mindent, http://www.ica-d.hu/?p=394, Andreas Wegner, Frazon Zyófia, Katarina Sevic, 2010/3/5-2010/4/2

A n a g y u z l e t: Szetszerelt vilag, Trafo Galeria, http://www.trafo.hu/programs/1917 bp, 2010/3/10-2010/4/11, Bodo Nagy Sandor, Erdei Krisztina, Gerhes Gabor, UJSZOVETKEZET,

A “Le Grand Magasin” projekt kezdemenyezoje: Andreas Wegner

http://legrandmagasin.coopseurope.coop/

— Kicsiny Balázs, Félreértés, 2010. március 12-24 , Collegium Hungaricum Berlin, Moholy-Nagy Galerie, www.balazskicsiny.com

— ArtAsiaPacific magazine March/April No. 67 Issue http://www.aapmag.com

http://present2009.uw.hu/techno-cool-rapid.mp3

— e-flux journal Issue #14
 March 2010 http://e-flux.com/journal/

http://www.viltin.hu/ Surányi Miklós, Ghost Science, 2010/3/10-2010/4/17

— NEW ISSUE: No 1 2010 www.metropolism.com/english

http://www.movingimages.de/

— Martha Rosler reads Vogue, with Alison Jones, Milly Thompson, Grey Area, Brighton, 2010/3/12-2010/4/4 http://www.greyareagallery.org

a venus effect-ről:

Dave Munger: The Venus effect: What we see in the mirror isn’t what would really be there

Bertamini: Humans do not understand mirror reflections