transmediale 2013 BW_P_WA_P_ <http://www.transmediale.de/> ◒♇ Haus der

Kulturen der Welt ♇◓ Berlin/DE:29.01-03.02

Turbulence Commission: “Panemoticon” by Ali Miharbi and John Priestley


[Needs Firefox (16 or later recommended), headphones/speakers, mouse/trackpad]


With the aim of promoting contemporary artistic digital creation and publicize the interactive works of national and international artists, the line of action in Digital Arts of the CITAR – Centre for Research on Science and Technology of the Arts, in partnership with the School of Arts of the Portuguese Catholic University, presents the Interactive Art Competition iNTERFACES (http://www.artes.ucp.pt/interfaces).


The podcast series VARIATIONS, by Jon Leidecker, is now also available on Ubuweb




The idea of a completely original piece of music is fairly recent. Music was passed on through sound, through generations, even for centuries after the invention of written music. Only in the 14th century did it become standard practice for a composer to sign his name to a piece of music and claim it entirely as his own, giving rise to the cult of the individual composer. But as recording supplanted sheet music in the 20th century, the presence of communal influence became unavoidably obvious once again as composers began to use recordings to make new recordings. We can now hear the presence of more than one voice. And there is a reason why people don’t say they listen to a record – they say that they play a record. From the beginning, recordings have been instruments.


VARIATIONS #1. Transition

Podcast: http://bit.ly/KV8gXc 

Transcript: http://bit.ly/ggLzop 


VARIATIONS #2. The Globe

Podcast: http://bit.ly/IIa07h 

Transcript: http://bit.ly/eca9yd 


VARIATIONS #3. The Approach

Podcast: http://bit.ly/IY5C7G

Transcript: http://bit.ly/INIiEF


VARIATIONS #4. The Explosion

Podcast: http://bit.ly/J2S7F0 

Transcript: http://bit.ly/KM3Zvm


VARIATIONS #5. The Discipline

Podcast: http://bit.ly/JiPAX8

Transcript: http://bit.ly/J50Q30


VARIATIONS #6. The Library

Podcast: http://bit.ly/JlxK1Q

Transcript: http://bit.ly/J50WHM


VARIATIONS #7. The Composer

Podcast: http://bit.ly/LAWPst

Transcript: http://bit.ly/MW97ei


“From Scenography To Zerography” 12 pp. 21 в 14 cm. Hand-made. LaserJet print. Edition of 1. $3.





http://sonicvariable.goto10.org/ _



In Pure Data, the DSP [expr~] is often used to modulate the audio

signal. During this /dev/art/, Chun Lee will be demonstrating an

alternative approach, using the DSP to sequence his music and generate

sounds. Chun Lee is a Taiwanese sound artist currently based in London.



Deadline Jan. 31, 2013


EIN magazine is a digital photography magazine that serves as an exhibition space for new conceptual work. Each issue is based on a theme that represents a creative block. http://www.wooloo.org/open-call/entry/299434



Deadline Mar. 01, 2013

Month-long residencies on Madeira Island, Spain. In 2013, selected residencies will be dedicated to artists performing with new media sonic (music) and visual art.












— INTERRUPTIONS #1. Pastoral V.2, curated by Jon Leidecker

Link: http://rwm.macba.cat/en/curatorial/interruptions_1_jon_leidecker/capsula

Playlist + text: http://rwm.macba.cat/uploads/20100706/01Interruptions_eng.pdf

— “Pastoral V.2” is a curated overview hoping to underline the history of those classic works of electronic and concrète music which sought to mimic and extend the voices and sounds of our pastoral landscape, which can be closer to the heart of the medium’s inherent potential than the more common identifications with inhuman or alienated expressions of industrial culture.

— Lumière and Son – A Discussion, a Selective Commentary & Some Remarks. http://tinyurl.com/brc8hvr

Michael Szpakowski reviews the online collaboration between Danish architect and video maker Sam Renseiw and British artist and composer Philip Sanderson. Building on a format excavated from the pioneer years of cinema in the 19th century and repurposed for the 21st, Lumière and Son is packed with networked playfulness and wit and, perhaps unexpectedly for something that is so much fun, a profound humanity


truth remixed Live stream & video-compilations by Ulrich A. Reiterer / sofa23.net (A)

Collaboration Stephan Bergmann Jona Hoier & Julian Stampfer

Camp & ORF 2

— 11 ways to escape the symbolic field, http://nictoglobe.com/ISEA2012/

  Temporary Autonomous Research
Falke Pisano, Jeremiah Day, Nicoline van Harskamp
Curator: Henk Slager
October 2–December 31, 2012

9th Shanghai Biennale, Reactivation
Location: Power Station of Art
200 Hua Yuan Gang Road, Shanghai




Bidoun 27: Diaspora


For the diaspora artist—I use the term the way I would use “disappearing artist” or “trapeze artist”…
–Media Farzin, “The Imaginary Elsewhere”

For the DIASPORA issue of our New York–based Middle Eastern magazine, we wanted to treat the theme without sentiment; or at least, with a wider range of sentiments than the discourse of heritage (celebrate, defend) generally allows. We were interested in migrant culture—in informal economies and organized crime, in deracination and radicalization.


“Migrant Navigator” project by Darko Fritz: http://darkofritz.net/projects/migrant/navigator.htm

Eric Kluitenberg: Not Home, written for “Darko Fritz – archives in progress [ projects 1987 – 2007 ]”. Published by the Croatian Association of Artists, Zagreb (HDLU) / Museum of Modern and Contemproary Art, Rijeka, 2007, and at Tactival Media Files, Amsterdam, 2011, http://www.tacticalmediafiles.net/article.jsp?objectnumber=54202

pers: http://darkofritz.net

Search public art installation made of mint September 2012

location: Rajka, trijunction of Slovakia, Austria and Hungary

curated by Zuzana Duscho for the Culburb project (Cultural Acupuncture Treatment for Suburb)



— A compilation of all the episodes available so far of the ongoing series by the plunderphonic musician and historian Jon Leidecker for Ràdio Web MACBA. Do not miss this!

VARIATIONS, by Jon Leidecker

The idea of a completely original piece of music is fairly recent. Music was passed on through sound, through generations, even for centuries after the invention of written music. Only in the 14th century did it become standard practice for a composer to sign his name to a piece of music and claim it entirely as his own, giving rise to the cult of the individual composer. But as recording supplanted sheet music in the 20th century, the presence of communal influence became unavoidably obvious once again as composers began to use recordings to make new recordings. We can now hear the presence of more than one voice. And there is a reason why people don’t say they listen to a record – they say that they play a record. From the beginning, recordings have been instruments.

VARIATIONS #1. Transition

Podcast: http://bit.ly/KV8gXc 

Transcript: http://bit.ly/ggLzop 

VARIATIONS #2. The Globe

Podcast: http://bit.ly/IIa07h 

Transcript: http://bit.ly/eca9yd 

VARIATIONS #3. The Approach

Podcast: http://bit.ly/IY5C7G

Transcript: http://bit.ly/INIiEF

VARIATIONS #4. The Explosion

Podcast: http://bit.ly/J2S7F0 

Transcript: http://bit.ly/KM3Zvm

VARIATIONS #5. The Discipline

Podcast: http://bit.ly/JiPAX8

Transcript: http://bit.ly/J50Q30

VARIATIONS #6. The Library

Podcast: http://bit.ly/JlxK1Q

Transcript: http://bit.ly/J50WHM

VARIATIONS #7. The Composer

Podcast: http://bit.ly/LAWPst

Transcript: http://bit.ly/MW97ei

— Turbulence Commission: “Crow Sourcing” by Andy Deck


DE-ARTIKULACIJA PLATFORM,  issue  0/2012 , is OUT, the issue  was printed 7.09.2012  and from today is online.

The issue  0/2012 has 2 PARTS: 1 and  2;  altogether 80 pages. Can be used as

Attribution-NonCommercial-ShareAlike: CC BY-NC-SA.





  Goya, Raining Bulls, 1877


In celebration of the 100 year anniversary of John Cage’s birth, we dig up two podcasts on the work of John Cage:



Curated by Joe Gilmore and Rhiannon Silver, FLUXRADIO explores some of the concepts and ideas behind the music and performance pratice of Fluxus. Featuring sound pieces by John Cage, George Maciunas, La Monte Young, Joseph Beuys, Nam June Paik, George Brecht, Yoko Ono and others, the programme charts the emergence of Fluxus through 60s avant-garde New York, examining the relationship to John Cage, Zen Buddhism and European avant-garde music.


Link: http://bit.ly/nkyWNk

MP3: http://bit.ly/cLnwxk

Transcript (PDF): http://bit.ly/SjmlYf

JOHN CAGE. Notes towards a re-reading of the “Roaratorio”

Curated by José Manuel Berenguer and Carlos Gómez, JOHN CAGE. Notes towards a re-reading of the “Roaratorio” explores John Cage’s relationship with radio, as an instrument, as a studio and as a media. Only available in Spanish.


Link: http://bit.ly/RKuxds

MP3: http://bit.ly/9zCfYJ

Transrcript (PDF): http://bit.ly/IGBc7K 


— Watts: fluxclock (http://artpool.hu/Fluxus/Watts.html)


— WWW: World Wild Web | at Furtherfield Gallery.


Artists: Paula Crutchlow & Helen Varley Jamieson, Andy Deck, Mary Flanagan, Genetic Moo, Dominic Smith, and Sarah Waterson

To be alive is to be wild. And we humans have a will that shapes the world with language, song, lust, labour and play. And for those of us who connect with it, a network of machines now extends our reach, amplifies our urges and quickens our exchanges. The artists in this exhibition work and play with living organisms and technical things, systems and language, to explore how our relation to the natural world is changing. Gallery visitors (humans and dogs) are invited to view videos, interact with art installations and social media and undertake walks in the surrounding park with its other animals and edible plants.

The event is co-hosted with The Festival of Mint – A Celebration of Local Growing – serving mint tea and mojito made with fresh mint grown locally.


Exhibition Dates: 18 October – 01 December 2012

Open Thu-Fri 1-5pm, Sat 11-5pm

For more information please download the press release (867KB)






V2_ is also on facebook and twitter

— Test_Lab: Summer Sessions 2012


September 6, 2012, doors open at 19:30

Admission: free

Eendrachtsstraat 10, Rotterdam

 — The 16th Japan Media Arts Festival: call for entries

Application deadline: September 20, 2012
Announcement of award-winning works: Mid-December, 2012
Awards ceremony: Tuesday, February 12, 2013
Exhibition of award-winning works: February 13–February 24, 2013 (Closed Feb 19)

The National Art Center, Tokyo
7-22-2 Roppongi
Minato-ku, Tokyo
106-8558 Japan

Facebook / Twitter

Von: International Teletext Art Festival <itaf@fixc.fi>

Datum: 13. August 2012 13:49:09 MESZ

Betreff: International Teletext Art Festival in ARD Text starts

More info on the artists and works: www.fixc.fi/itaf

More info on the exhibition: www.pflueger68.de/itaf.html

The ARD-Text: www.ard-text.de

Frieze is now producing films to accompany the publication of each issue of the magazine. They can be viewed online at  video.frieze.com.

— The 2012 Creative Time Summit: Confronting Inequity

October 12–13, 2012

Skirball Center for the Performing Arts
New York University
566 LaGuardia Place
New York, NY 10012


Expected presenters include:
Martha Rosler (Keynote), Slavoj Žižek (Keynote), BijaRi, Jeff Chang, Carolyn Christov-Bakargiev, Conflict Kitchen, Malkia Cyril, Rebel Diaz, Jodie Evans and Suzanne Lacy, Fernando García-Dory, Pablo Helguera, Invisible Borders, Steve Lambert, L.A.P.D. (Los Angeles Poverty Department), Josh MacPhee, Leonidas Martin, Mosireen, Joia Mukherjee, Oda Projesi, Otolith Group, Taring Padi, Laura Poitras, Michael Rakowitz, Škart, Hito Steyerl, Tidal Journal, and more.


— Podcast: Michael Baldwin and Mel Ramsden talk about Art & Language



Kontraste 2012 – Electric Shadows presents cutting-edge live performances, installations, films, lectures and sound walks in Krems/Austria from Oct 12 – 14. The festival is conceived as a ‘leap into the void’, a voyage through the electromagnetic spectrum, with audiovisual experiments that manipulate analogue and digital signals to amplify our senses, investigate the dark, and explore cosmological unknowns.

The complete programme is now online at www.kontraste.at

Furtherfield – A living, breathing, thriving network

http://www.furtherfield.org – for art, technology and social change since 1997

Also – Furtherfield Gallery&  Social Space: http://www.furtherfield.org/gallery

About Furtherfield: http://www.furtherfield.org/content/about

Netbehaviour – Networked Artists List Community.




 Leonardo / The first article Just Accepted is:

“Open Source Architecture: an Exploration of Source Code and Access in

Architectural Design” by Theodora Vardouli and Leah Buechley


— Podcast: Deutsche Kassettentäter. The rise of the German home-recording tape scene, parts #1 and #2. Curated by Felix Kubin

Part #1: Mix Link: http://bit.ly/n3aN7s

MP3: http://bit.ly/gpqhyK

Related info/playlist: http://bit.ly/R8aoEm

Translated lyrics: http://bit.ly/MVOSev

Part #2: Interviews with Alfred Hilsberg (ZickZack Records) and Frank Apunkt Schneider

Link: http://bit.ly/oRtfAZ

MP3: http://bit.ly/rkVaAy

Related info/playlist: http://bit.ly/pQUAET

Follow us at http://twitter.com/Radio_Web_MACBA

Intimate Politics: An Interview with Andreas Broeckmann.

By Lawrence Bird. http://www.furtherfield.org/features/interviews/intimate-politics-interview-andreas-broeckmann


— MEMORABILIA. COLLECTING SOUNDS WITH… Kenneth Goldsmith. Deleted scenes

We dig up some unreleased fragments of the interview with sound collector Kenneth Goldsmith that we were unable to include the first time around.

Link: http://bit.ly/PrdYBZ
MP3: http://bit.ly/MgXpZ6

00:00 Extravagant records in the collection
00:47 Quality in Ubuweb
03:04 Autocracy
03:48 The Burroughs affair
06:27 Standards on the web

Previous show:  MEMORABILIA. COLLECTING SOUNDS WITH… Kenneth Goldsmith. Part I
Link: http://rwm.macba.cat/en/research/memorabilia_kenneth_goldsmith/capsula
Related info: http://rwm.macba.cat/uploads/20120712/Memorabilia_Kenneth_Goldsmith_eng.pdf
MP3: http://rwm.macba.cat/uploads/memorabilia/04_memorabilia_kenneth_goldsmith.mp3

More on Kenneth Goldsmith at Ràdio Web MACBA: http://rwm.macba.cat/en/kenneth_goldsmith_tag

More episodes on sound collecting: http://rwm.macba.cat/en/memorabilia_tag/

—  ‘call for art’ of NEM Summit: http://nem-summit.eu/art-contest/
if you think you would like to influence, contaminate or even subvert with your art and vision the ‘fast paced evolution of the networked and electronic media industry’ (!!) – or should you simply wish to show something incisive outside of the usual new media art circles, then this call may be for you.


—- talk between sci-fi guru writer and futurista Bruce Sterling and Intel’s own Brian David Johnson.

Part 1 – Embracing The Future:  http://www.youtube.com/watch?feature=player_embedded&v=Y0GYj-SSLYw
Part 2 – The Difference Engine: http://www.youtube.com/watch?feature=player_embedded&v=9FRXJ7IIZkw

Part 3 – Design Fiction: http://www.youtube.com/watch?feature=player_embedded&v=1l_BcAzpc-Q

Part 4 – Not released yet.

Augmented Photography exhibit on the background:www.discloseprojectpaperclip.com

Call for papers: “Places and Spaces”
Extended Deadline: 31 August 2012

Digicult is inviting proposals for the first issue of the new Digimag Journal, especially from individuals active in the fields of digital art, design and culture: curators, critics, hackers, fabbers, creative producers, lab managers, activists, designers, theorists, independent and academic writers, scholars, artists, etc.

Kritikos, V.9 – January-June-2012Breaking the Spiral of Fear…(j.block)


The Raft of the Medusa, The Fatal Raft and the Art of Critique…(m.slavkin)




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