2010/2/15

2010/02/15 in Uncategorized

— n.paradoxa # 25 www.ktpress.co.uk (benne: Photographic features on two feminist shows: ‘And Now: Female Artists from the GDR’ / Kunstlerhaus Bethanian, Berlin, and ‘Gender Check’ / MUMOK, Vienna)

— http://hvg.hu/hvgmuerto/, benne: Doku balra, experi jobbra – a Balázs Béla Stúdió a Műcsarnokban (Bán András)

— The Past is a Foreign Country 2010/1/22-2010/5/2 Centre of Contemporary Art Znaki, Czasu in Torun, http://www.csw.torun.pl

— http://www.creative-link.org/

— “The Exhibitionist is a new journal focusing solely on the practice of exhibition making. The objective is to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.”

— transmediale.10, itt Michelle Teran: ‘Buscando al Sr. Goodbar’ http://www.ubermatic.lftk.org/blog/?p=225, és Aaron Koblin and Daniel Massey: ‘Bicycle Built For Two Thousand’ http://www.bicyclebuiltfortwothousand.com/ és Warren Neidich: ‘Neuropower’ http://www.warrenneidich.com/

— James Kalm a Babelgum-on www.babelgum.com/jameskalm

— Hans-Peter Feldmann, 2010/2/20-2010/5/2 Malmö Konsthall http://www.konsthall.malmo.se

— ATOPIA at Centre de Cultura Contemporania de Barcelona, 2010/2/24-2010/5/24 “After the exhaustion of post-modern attempts, the failure to prolong avant-garde dogmatism by means of the sterile substitution of art by ideological processes, in the first decade of the 21st century, art has somehow has recovered. Aesthetic ideas are back, emotion is back, and they have returned via an experience: urban unease.” -Josep Ramoneda